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This article appears courtesy of Emma Goldman Papers, Manuscripts and Archives Division, The New York Public Library, Astor, Lenox and Tilden Foundations Address to the International Working Men's Association Congress by Emma Goldman Life imposes strange situations on all of us. For forty-eight years I was considered an extremist in our ranks. One who refused to compromise our ideas or tactics for any purpose whatsoever--one who always insisted that the Anarchist aim and methods must harmonize, or the aim would never be achieved. Yet here I am trying to explain the action of our Spanish comrades to the European opponents, and the criticism of the latter to the comrades of the CNT-FAI. In other words, after a lifetime of an extreme left posi... (From : Anarchy Archives.)


(Originally published in the Contemporary Review, and then reprinted as a pamphlet by Benjamin R. Tucker, 1884) An Anarchist on Anarchy by Elise Reclus “It is a pity that such men as Elise Reclus cannot be promptly shot.” – Providence Press To most Englishmen, the word Anarchy is so evil-sounding that ordinary readers of the Contemporary Review will probably turn from these pages with aversion, wondering how anybody could have the audacity to write them. With the crowd of commonplace chatterers we are already past praying for; no reproach is too bitter for us, no epithet too insulting. Public speakers on social and political subjects find that abuse of Anarchists is an unfailing passport to public favor. Every conceivable cri... (From : Anarchy Archives.)

Chapter 29 "Come, its all over, and thank God!" was the first thought that came to Anna Arkadyevna, when she had said good-bye for the last time to her brother, who had stood blocking up the entrance to the carriage till the third bell rang. She sat down on her lounge beside Annushka, and looked about her in the twilight of the sleeping-carriage. "Thank God! tomorrow I shall see Seryozha and Alexey Alexandrovitch, and my life will go on in the old way, all nice and as usual." Still in the same anxious frame of mind, as she had been all that day, Anna took pleasure in arranging herself for the journey with great care. With her little deft hands she opened and shut her little red bag, took out a cushion, laid it on her knees, and carefully wrapping up her feet, settled herself comfortably. An invalid lady had already lain down to sleep. Two other ladies began talking to Anna, and a stout elderly lady tucked up her fee...

The ResurrectionCHAPTER VII. Finally Matvei Nikitich arrived, and the usher, a long-necked and lean man, with a sideling gait and protruding lower lip, entered the jury-room. The usher was an honest man, with a university education, but he could not hold any employment on account of his tippling habit. A countess, his wife's patroness, had obtained him his present position three months ago; he still retained it, and was exceedingly glad. "Are you all here, gentlemen?" he asked, putting on his pince-nez and looking through it. "I think so," said the cheerful merchant. "Let us see," said the usher, and drawing a sheet of paper from his pocket, began to call the names of the jury, looking at those that responded to their names now through his pince-nez, now over it. "Counsilor of State E.M. Nikiforoff." "Here," said the portly gentleman, who was familiar with all the litigations. "Retired Colonel I...


I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)


Translated from the French by Robert Helms "La Mort du Chien" originally appeared in the monarchist paper Le Galois under the pen name Henry Lys on August 23, 1884, about a year before the author's conversion to anarchism. Although most of Mirbeau's work remains untranslated, he is now regarded by French critics as one of the most important writers of his period, and his 1903 play Business is Business made a triumphant return to the Paris stage in 1995. He is best known to anglophone posterity for his novels The Torture Garden and Diary of a Chambermaid . His master called him Turk. He was thin, yellow, and sad, with a pointed snout, a small build, and short, badly cropped ears that were always bleeding. The tail he wore on his rump looked ... (From : Mid-Atlantic Infoshop.)


Translated by Robert Helms "Des ilections" first appeared in La France (Paris), Aug.12, 1885. What's going to happen? Where will we flee? Already the election campaigns are infected by a terrible leprosy. The cabarets roar, rolling over with drunken eyes. Looming above the intersections, the red, blue, and yellow posters explode across the walls of solitary houses. The peasants hurry to gather their wheat and oats before the political whirlwind blows in, like a devastating sirocco. The bad smell of spilled wine is hanging in the air, and the deafening clamor of committees comes from everywhere, left, right, and center, calling for an encore, and marking time on the bass drum of alcoholic frenzy. People walk by, cross themselves, don't recog... (From : Mid-Atlantic Infoshop.)


Let me begin my address with a confession. I make it sorrowfully and with self-disgust; but in the presence of great sacrifice we learn humility, and if my comrades could give their lives for their belief, why, let me give my pride. Yet I would not give it, for personal utterance is of trifling importance, were it not that I think at this particular season it will encourage those of our sympathizers whom the recent outburst of savagery may have disheartened, and perhaps lead some who are standing where I once stood to do as I did later. This is my confession: Fifteen years ago last May when the echoes of the Haymarket bomb rolled through the little Michigan village where I then lived, I, like the rest of the credulous and brutal, read one l... (From : Anarchy Archives.)


Published by Freiheit Publishing Association New York Among all mental diseases which man has systematically inoculated into his cranium, the religious pest is the most abominable. Like all things else, this disease has a history; it only regrettable that in this case nothing will be found of the development from nonsense to reason, which is generally assumed to be the course of history. Old Zeus and his double, Jupiter, were still quite decent, jolly, we might even say, somewhat enlightened fellows, if compared with the last triplet on the pedigree of gods who, on examination, can safely rival with Vitzliputzli as to brutality and cruelty. We won't argue at all with the pensioned or dethroned gods, for they no longer do any harm. But the m... (From : Anarchy Archives.)


The Great Anarchist Trial: The Haymarket Speeches As Delivered On The Evening Of The Throwing Of The Bomb, At Haymarket Square, Chicago, May 4, 1886, By: August Spies and Albert R. Parsons 1886 Published by the Chicago labor press association Room 17, No, 76 and 78 Fifth Ave., Chicago NOTE. The Chicago Times of August 10 contained the following statements, among others, in regard to the great trial: "The climax in the Anarchist trial was reached yesterday. Schwab, Spies and Parsons told their respective stories to the jury from the witness-chair, to a spell-bound audience of spectators, an amazed jury, and a surprised judge. Parsons was composed and eloquent. His brother, General W. H. Parsons, sat with eyes fixed upon him during the time h... (From : Anarchy Archives.)

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