Alexey Alexandrovitch had forgotten the Countess Lidia Ivanovna, but she had not forgotten him. At the bitterest moment of his lonely despair she came to him, and without waiting to be announced, walked straight into his study. She found him as he was sitting with his head in both hands. "J’ai forcé la consigne," she said, walking in with rapid steps and breathing hard with excitement and rapid exercise. "I have heard all! Alexey Alexandrovitch! Dear friend!" she went on, warmly squeezing his hand in both of hers and gazing with her fine pensive eyes into his. Alexey Alexandrovitch, frowning, got up, and disengaging his hand, moved her a chair. "Won’t you sit down, countess? I’m seeing no one because I’m unwell, countess," he said, and his lips twitched. "Dear friend!" repeated Countess Lidia Ivanovna, never taking her eyes off his, and suddenly her eyebrows rose at the inner corners, describing a...
What is most significant, it seems to me, is the earnest attention paid to the Children and Family as a subject, the desire of parents to be Informed and thereby do their best, rather than following their wit and impulse; or to say this another way, what is significant is the importance assigned in our society to Psychology itself? for Psychology is still by and large the family-psychology that Freud made it discussing the problems of jealousy, infantile dependency authority, submissiveness and rebelliousness, and sibling competition: and problems of spite, moral prejudice and other reaction-formations springing from instinctual deprivation. This interest in the Children is of course hopeful, for the increase of wisdom cannot fail to remedy... (From : http://www.tao.ca/~freedom/goodman.html.)
I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
Mr. Mencken gives the impression of an able mind so harried and irritated by the philistinism of American life that it has not been able to attain its full power. These more carefully worked-over critical essays are, on the whole, less interesting and provocative than the irresponsible comment he gives us in his magazine. How is it that so robust a hater of uplift and puritanism becomes so fanatical a crusader himself? One is forced to call Mr. Mencken a moralist, for with him appraisement has constantly to stop while he tilts against philistine critics and outrageous puritans. In order to show how good a writer is, he must first show how deplorably fatuous, malicious or ignorant are all those who dislike him. Such a proof is undoubtedly th... (From : fair-use.org.)
The following text is Stirner's first publication, which previous collections of Stirner's writings do not contain. Review of: Theodor Rohmer: German occupation in the present. Zurich and Winterthur: Publishing house of the literary Comptoirs 1841 in: The railroad. A support leaf for the formed world (Leipzig), 4th Jg., no. 77/78 (28./30.12.1841), S.307-308, 310-312 Max Stirner: "You only have the courage to be destructive" How happy I was as a child to lie on green fields and look up into blue skies. The sweet smells of Spring would waft through the air as dreamed of my bright future. I dreamed of becoming a great man. I would throw fistfuls of gold out of my carriage and masses of poor and stunned people would worship me. I would build fa... (From : Anarchy Archives.)