Last Essay: "1967" This is Bertrand Russell's last manuscript. Untitled, it was annotated "1967" by Russell, at the age of 95, two or three years before he died. Ray Monk published it first in The Independent of London on the 25th anniversary of the Russell Archives. The essay's politics are uncannily prescient. The time has come to review my life as a whole, and to ask whether it has served any useful purpose or has been wholly concerned in futility. Unfortunately, no answer is possible for anyone who does not know the future. Modern weapons make it practically certain that the next serious war will exterminate the human race. This is admitted by all competent authorities, and I shall not waste time in proving it. Any man who cares what th... (From : mcmaster.ca.)
(1912 - 1992) ~ Modern Avant-Garde, Musical Composer and Thoreau-Inspired Anarchist : All of his compositions were difficult to reproduce and perform, which was an embodiment of his anarchist views.... Cage considered himself to be an anarchist, and was inspired by the work of Thoreau. (From : Anarchy Archives.)
• "Our present laws protect the rich from the poor. If there are to be laws, we need ones that begin with the acceptance of poverty as a way of life. We must make the world safe for poverty without dependence on government." (From : "Untitled Anarchist Poem," by John Cage.)
• "...work is now obsolete. We have invented machines to do it for us." (From : "Untitled Anarchist Poem," by John Cage.)
• "We have no need for imaginary mountain ranges between separate nations. We can make tunnels through the real ones." (From : "Untitled Anarchist Poem," by John Cage.)
What is most significant, it seems to me, is the earnest attention paid to the Children and Family as a subject, the desire of parents to be Informed and thereby do their best, rather than following their wit and impulse; or to say this another way, what is significant is the importance assigned in our society to Psychology itself? for Psychology is still by and large the family-psychology that Freud made it discussing the problems of jealousy, infantile dependency authority, submissiveness and rebelliousness, and sibling competition: and problems of spite, moral prejudice and other reaction-formations springing from instinctual deprivation. This interest in the Children is of course hopeful, for the increase of wisdom cannot fail to remedy... (From : http://www.tao.ca/~freedom/goodman.html.)
I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
Mr. Mencken gives the impression of an able mind so harried and irritated by the philistinism of American life that it has not been able to attain its full power. These more carefully worked-over critical essays are, on the whole, less interesting and provocative than the irresponsible comment he gives us in his magazine. How is it that so robust a hater of uplift and puritanism becomes so fanatical a crusader himself? One is forced to call Mr. Mencken a moralist, for with him appraisement has constantly to stop while he tilts against philistine critics and outrageous puritans. In order to show how good a writer is, he must first show how deplorably fatuous, malicious or ignorant are all those who dislike him. Such a proof is undoubtedly th... (From : fair-use.org.)
Little Russia-Nights on a Farm near Dikónka, and Mírgorod-Village life and humor-How Iván Ivánovitch quarreled with Iván Nikíforytch-Historical novel, Tarás Búlba- The Cloak-Drama, The Inspector-General-Its influence- Dead Souls: main types-realism in the Russian novel. With Gógol begins a new period of Russian literature. which is called by Russian literary critics "the Gógol period," which lasts to the present date. Gógol was not a Great Russian. He was born in 1809, in a Little Russian or Ukraïnian nobleman's family. His father had already dispayed some literary talent and wrote a few comedies in Little Russian, but Gógol lost him at an early age. The boy was educatcd in a small provincial town, which he left, however, while still young, and when he was only n...
Few writers have established their reputation so rapidly as Maxím Górky. His first sketches (1892-95), were published in an obscure provincial paper of the Caucasus, and were totally unknown to the literary world, but when a short tale of his appeared in a widely-read review, edited by Korolénko, it at once attracted general attention. The beauty of its form, its artistic finish, and the new note of strength and courage which rang through it, brought the young writer immediately into prominence. It became known that Maxím Górky was the pen-name of quite a young man, A. Pyeshkoff, who was born in 1868 in Nizhni Novgorod, a large town on the Volga; that his father was a merchant, or an artisan, his mother a ... (From : University of Virginia Library.)
IF I WERE to give a summary of the tendency of our times, I would say, Quantity. The multitude, the mass spirit, dominates everywhere, destroying quality. Our entire life--production, politics, and education--rests on quantity, on numbers. The worker who once took pride in the thoroughness and quality of his work, has been replaced by brainless, incompetent automatons, who turn out enormous quantities of things, valueless to themselves, and generally injurious to the rest of mankind. Thus quantity, instead of adding to life's comforts and peace, has merely increased man's burden. In politics, naught but quantity counts. In proportion to its increase, however, principles, ideals, justice, and uprightness are completely swamped by the array o... (From : Anarchy Archives.)
Proposed Roads To Freedom By Bertrand Russell INTRODUCTION THE attempt to conceive imaginatively a better ordering of human society than the destructive and cruel chaos in which mankind has hitherto existed is by no means modern: it is at least as old as Plato, whose ``Republic'' set the model for the Utopias of subsequent philosophers. Whoever contemplates the world in the light of an ideal--whether what he seeks be intellect, or art, or love, or simple happiness, or all together--must feel a great sorrow in the evils that men needlessly allow to continue, and--if he be a man of force and vital energy--an urgent desire to lead men to the realization of the good which inspires his creative vision. It is this desire which has been the primary force moving the pioneers of Socialism and Anarchism, as it moved the inventors of ideal commonwealths in the past. In this there is nothing new. What is new in Socialism a...
"Come, show me your horses. Are they in the yard?" "Indeed they are, 'slency. I have done as I was told, 'slency. Could we fail to heed you, 'slency? Yakof Ilyitch told me not to send the horses out to pasture. 'The prince,' says he, 'is coming to look at them,' and so we didn't send them. For, of course, we shouldn't dare to disobey you, 'slency." While Nekhliudof was on his way to the door, Yukhvanka snatched down his pipe from the loft, and flung it into the stove. His lips were still drawn in with the same expression of constraint as when the prince was looking at him. A wretched little gray mare, with thin tail, all stuck up with burrs, was sniffing at the filthy straw under the pent roof. A long-legged colt two months old, of some nondescript color, with bluish hoofs and nose, followed close behind her. In the middle of the yard stood a pot-bellied brown gelding with closed eyes and thoughtfully pendent head. It was apparentl...
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
WRITTEN IN RED Bear it aloft, O roaring flame! Skyward aloft, where all may see. Slaves of the world! our cause is the same; One is the immemorial shame; One is the struggle, and in One name-- MANHOOD--we battle to set men free. VOLTAIRINE DE CLEYRE THE FIRST TIME I MET HER--THIS MOST GIFTED AND BRILLIANT ANARCHIST WOMAN AMERICA EVER PRODUCED--was in Philadelphia, in August 1893. I had come to that city to address the unemployed during the great crisis of that year, and I was eager to visit Voltairine of whose exceptional ability as a lecturer I had heard while in New York. I found her ill in bed, her head packed in ice, her face drawn with pain. I learned that this experience repeated itself with Voltairine after her every public appearanc... (From : University of Berkeley.)