Revolt Library >> Browsing by Tag "artist"
Last Essay: "1967" This is Bertrand Russell's last manuscript. Untitled, it was annotated "1967" by Russell, at the age of 95, two or three years before he died. Ray Monk published it first in The Independent of London on the 25th anniversary of the Russell Archives. The essay's politics are uncannily prescient. The time has come to review my life as a whole, and to ask whether it has served any useful purpose or has been wholly concerned in futility. Unfortunately, no answer is possible for anyone who does not know the future. Modern weapons make it practically certain that the next serious war will exterminate the human race. This is admitted by all competent authorities, and I shall not waste time in proving i... (From : mcmaster.ca.)
(1912 - 1992) ~ Modern Avant-Garde, Musical Composer and Thoreau-Inspired Anarchist : All of his compositions were difficult to reproduce and perform, which was an embodiment of his anarchist views.... Cage considered himself to be an anarchist, and was inspired by the work of Thoreau. (From : Anarchy Archives.)
• "We have no need for imaginary mountain ranges between separate nations. We can make tunnels through the real ones." (From : "Untitled Anarchist Poem," by John Cage.)
• "Our present laws protect the rich from the poor. If there are to be laws, we need ones that begin with the acceptance of poverty as a way of life. We must make the world safe for poverty without dependence on government." (From : "Untitled Anarchist Poem," by John Cage.)
• "...work is now obsolete. We have invented machines to do it for us." (From : "Untitled Anarchist Poem," by John Cage.)
THE CHILDREN AND PSYCHOLOGY Paul Goodman ### WHAT IS most significant, it seems to me, is the earnest attention paid to the Children and Family as a subject, the desire of parents to be Informed and thereby do their best, rather than following their wit and impulse; or to say this another way, what is significant is the importance assigned in our society to Psychology itself? for Psychology is still by and large the family-psychology that Freud made it discussing the problems of jealousy, infantile dependency authority, submissiveness and rebelliousness, and sibling competition: and problems of spite, moral prejudice and other reaction-formations springing from instinctual deprivation. This interest in the Childre... (From : http://www.tao.ca/~freedom/goodman.html.)
I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful antiwar films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. (1) In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they atta... (From : http://www.bopsecrets.org/CF/goodman.htm.)
Mr. Mencken gives the impression of an able mind so harried and irritated by the philistinism of American life that it has not been able to attain its full power. These more carefully worked-over critical essays are, on the whole, less interesting and provocative than the irresponsible comment he gives us in his magazine. How is it that so robust a hater of uplift and puritanism becomes so fanatical a crusader himself? One is forced to call Mr. Mencken a moralist, for with him appraisement has constantly to stop while he tilts against philistine critics and outrageous puritans. In order to show how good a writer is, he must first show how deplorably fatuous, malicious or ignorant are all those who dislike him. Such a proof is und... (From : fair-use.org.)
This text was taken from Ideas and Realities in Russian Literature. New York: Alfred A Knopf, 1915.
Maxím Górky BY PRINCE PETER KROPOTKIN AUTHOR OF "FIELDS, FACTORIES AND WORKSHOPS," "MUTUAL AID," ETC. Maxim Gorky Courtesy of Charles Scribner's Sons FEW writers have established their reputation so rapidly as Maxím Górky. His first sketches (1892-95), were published in an obscure provincial paper of the Caucasus, and were totally unknown to the literary world, but when a short tale of his appeared in a widely-read [illustration omitted] review, edited by Korolénko, it at once attracted general attention. The beauty of its form, its artistic finish, and the new note of strength and courage which rang through it, brought the young writer immediately into prominen... (From : University of Virginia Library.)
The text is from my copy of Emma Goldman's Anarchism and Other Essays. Second Revised Edition. New York & London: Mother Earth Publishing Association, 1911. pp. 75-84.MINORITIES VERSUS MAJORITIES IF I WERE to give a summary of the tendency of our times, I would say, Quantity. The multitude, the mass spirit, dominates everywhere, destroying quality. Our entire life--production, politics, and education--rests on quantity, on numbers. The worker who once took pride in the thoroughness and quality of his work, has been replaced by brainless, incompetent automatons, who turn out enormous quantities of things, valueless to themselves, and generally injurious to the rest of mankind. Thus quantity, instead of adding to life's comforts an... (From : Anarchy Archives.)
Anna Fedorovna, while the count was in the library, went to her brother, and, for the very reason of her conviction that she ought to pretend to feel very little interest in the count, she began to question him.
"Who is this hussar that has been dancing with me? Tell me, brother."
The cavalryman explained, to the best of his ability, what a great man this hussar was, and in addition he told his sister that the count had stopped there simply because his money had been stolen on the route: he himself had loaned him a hundred rubles, but that was not enough. Couldn't his sister let him have two hundred more? Zavalshevsky asked her not to say any thing about this to any one, and, above all, not to the count.
Anna Fedorovna promised to send the money the next day, and to keep it a secret; but somehow or other, during the schottische, she had a terrible desire to offer the count as much money as he needed.
She deliberated, blu...