The Impulse to Power introduction to the book "Power" by Bertrand Russell . Between man and other animals there are various differences, some intellectual, some emotional. One of the chief emotional differences is that some human desires, unlike those of- animals, are essentially boundless and incapable of complete satisfaction. The boa constrictor, when he has had his meal, sleeps until appetite revives; if other animals do not do likewise, it is because their meals are less adequate or because they fear enemies. The activities of animals, with few exceptions, are inspired by the primary needs of survival and reproduction, and do not exceed what these needs make imperative. With men, the matter is... (From : http://www.geocities.com/Athens/Oracle/2528/br_pow....)
PREFACE IN the following pages I have confined myself in the main to those problems of philosophy in regard to which I thought it possible to say something positive and constructive, since merely negative criticism seemed out of place. For this reason, theory of knowledge occupies a larger space than metaphysics in the present volume, and some topics much discussed by philosophers are treated very briefly, if at all. I have derived valuable assistance from unpublished writings of G. E. Moore and J. M. Keynes: from the former, as regards the relations of sense-data to physical objects, and from the latter as regards probability and induction. I have also profited greatly by the criticisms and suggestions of Professor Gilbert Murray. 1912...
A Critical Essay on ShakespeareSuch is this celebrated drama. However absurd it may appear in my rendering (which I have endeavored to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time—if he were not under the hypnotic suggestion that this drama is the height of perfection—it would be enough to read it to its end (were he to have sufficient patience for this) to be convinced that far from being the height of perfection, it is a very bad, carelessly composed production, which, if it could have been of interest to a certain public at a certain time, can not evoke among us anything but aversion and weariness. Every reader of our time, who is free from the influence of suggestion, will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless, dramatized tales, "Pericles," "Twelfth Night," "The Tempest," "Cymbeline," "Troilus and Cressida." But such free-minded i...