Vronsky was staying in a roomy, clean, Finnish hut, divided into two by a partition. Petritsky lived with him in camp too. Petritsky was asleep when Vronsky and Yashvin came into the hut. "Get up, don’t go on sleeping," said Yashvin, going behind the partition and giving Petritsky, who was lying with ruffled hair and with his nose in the pillow, a prod on the shoulder. Petritsky jumped up suddenly onto his knees and looked round. "Your brother’s been here," he said to Vronsky. "He waked me up, damn him, and said he’d look in again." And pulling up the rug he flung himself back on the pillow. "Oh, do shut up, Yashvin!" he said, getting furious with Yashvin, who was pulling the rug off him. "Shut up!" He turned over and opened his eyes. "You’d better tell me what to drink; such a nasty taste in my mouth, that..." "Brandy’s better than anything," boomed Yashvin. "Tereshtchenko! brandy for your master and cucumbe...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
In our village there was an old, old man, Pímen Timoféich. He was ninety years old. He was living at the house of his grandson, doing no work. His back was bent: he walked with a cane and moved his feet slowly. He had no teeth at all, and his face was wrinkled. His nether lip trembled; when he walked and when he talked, his lips smacked, and one could not understand what he was saying. We were four brothers, and we were fond of riding. But we had no gentle riding-horses. We were allowed to ride only on one horse,—the name of that horse was Raven. One day mama allowed us to ride, and all of us went with the valet to the stable. The coachman saddled Raven for us, and my eldest brother was the first to take a ride. He rode for a long time; he rode to the threshing-floor and around the garden, and when he came back, we shouted: "Now gallop past us!" My elder brother began to strike Raven with his feet and with the whip, and R...
Kasatsky entered the monastery on the feast of the Intercession of the Blessed Virgin. The Abbot of that monastery was a gentleman by birth, a learned writer and a starets, that is, he belonged to that succession of monks originating in Walachia who each choose a director and teacher whom they implicitly obey. This Superior had been a disciple of the starets Ambrose, who was a disciple of Makarius, who was a disciple of the starets Leonid, who was a disciple of Paussy Velichkovsky. To this Abbot Kasatsky submitted himself as to his chosen director. Here in the monastery, besides the feeling of ascendancy over others that such a life gave him, he felt much as he had done in the world: he found satisfaction in attaining the greatest possible perfection outwardly as well as inwardly. As in the regiment he had been not merely an irreproachable officer but had even exceeded his duties and widened the borders of perfection, so also as a monk he tried to be perfect, and was alway...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
“That, then, was the way in which I was captured. I was in love, as it is called; not only did she appear to me a perfect being, but I considered myself a white blackbird. It is a commonplace fact that there is no one so low in the world that he cannot find some one viler than himself, and consequently puff with pride and self-contentment. I was in that situation. I did not marry for money. Interest was foreign to the affair, unlike the marriages of most of my acquaintances, who married either for money or for relations. First, I was rich, she was poor. Second, I was especially proud of the fact that, while others married with an intention of continuing their polygamic life as bachelors, it was my firm intention to live monogamically after my engagement and the wedding, and my pride swelled immeasurably. “Yes, I was a wretch, convinced that I was an angel. The period of my engagement did not last long. I cannot remember those days without shame. What an abomina...
From Meet Kropotkin. The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d. KROPOTKIN - THE MASTER by HERBERT READ. PRINCE PETER ALEXEIVICH KROPOTKIN was born at Moscow on the 9th December, 1842 (o. s.). His father, Prince Alexei Petrovich Kropotkin, is described by Kropotkin as "a typical officer of the time of Nicholas I", but he seems to have been an easy-going parent, content to leave his son's education to his French tutor until it was time to send him off to a military academy. Kropotkin's mother was the youngest daughter of the commander of a Cossack army corps, General Sulima, and a woman of great refinement and sensibility, qualities which her son must have inherited, for she died before she had time to influence him ... (From : Anarchy Archives.)
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...
A shoemaker named Simon, who had neither house nor land of his own, lived with his wife and children in a peasant’s hut, and earned his living by his work. Work was cheap, but bread was dear, and what he earned he spent for food. The man and his wife had but one sheepskin coat between them for winter wear, and even that was torn to tatters, and this was the second year he had been wanting to buy sheep-skins for a new coat. Before winter Simon saved up a little money: a three-ruble note lay hidden in his wife’s box, and five rubles and twenty kopecks were owed him by customers in the village. So one morning he prepared to go to the village to buy the sheep-skins. He put on over his shirt his wife’s wadded nankeen jacket, and over that he put his own cloth coat. He took the three-ruble note in his pocket, cut himself a stick to serve as a staff, and started off after breakfast. “I’ll collect the five rubles that are due to me,” thought he,...