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A Comedy in Four ActsLEONÍD FYÓDORITCH ZVEZDÍNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish people with his wonderful stories. ANNA PÁVLOVNA ZVEZDÍNTSEVA. Wife of Leoníd. Stout; pretends to be young; quite taken up with the conventionalities of life; despises her husband, and blindly believes in her doctor. Very irritable. BETSY. Their daughter. A young woman of 20, fast, tries to be mannish, wears a pince-nez, flirts and giggles. Speaks very quickly and distinctly. VASÍLY LEONÍDITCH ZVEZDÍNTSEF. Their son, aged 25; has studied law, but has no definite occupation. Member of the Cycling Club, Jockey Club, and of the Society for Promoting the Breeding of Hounds. Enjoys perfect health, and has imperturbable self-assurance. Speaks loud...


Naked Warriors Herbert Read, London: Art & Letters, 1919. PREFACE I would like to speak for a generation to following effect: We, who in manhood's dawn have been compelled to care not a damn for life or death, now care less still for the convention of glory and the intellectual apologies for what can never be to us other than a riot of ghastliness and horror, of inhumanity and negation. May we, therefore, for the sake of life itself, be resolved to live with a cleaner and more direct realization of natural values. May we be unafraid of our frank emotions, and may we maintain a callous indifference to falsely-artistic prettifying of life. Then, as the reflex of such beauty where hitherto it has had no absolute existence. From sickness of... (From : Anarchy Archives.)

THE SCANDINAVIAN DRAMA: HENRIK IBSEN A DOLL'S HOUSE In "A Doll's House" Ibsen returns to the subject so vital to him,--the Social Lie and Duty,--this time as manifesting themselves in the sacred institution of the home and in the position of woman in her gilded cage. Nora is the beloved, adored wife of Torvald Helmer. He is an admirable man, rigidly honest, of high moral ideals, and passionately devoted to his wife and children. In short, a good man and an enviable husband. Almost every mother would be proud of such a match for her daughter, and the latter would consider herself fortunate to become the wife of such a man. Nora, too, considers herself fortunate. Indeed, she worships her husband, believes in him implicitly, and is sure that if ever her safety should be menaced, Torvald, her idol, her god, would perform the miracle. When a woman loves as Nora does, nothing else matt...

THE ADVENTURES OF CALEB WILLIAMS OR THINGS AS THEY ARE BY WILLIAM GODWIN CHAPTER TWO Among the favorite authors of his early years were the heroic poets of Italy. From them he imbibed the love of chivalry and romance. He had too much good sense to regret the times of Charlemagne and Arthur. But while his imagination was purged by a certain infusion of philosophy, conceived that there was in the manners depicted by these celebrated poets, something to imitate, as well as something to avoid. He believed that nothing was so well calculated to make men delicate, gallant, and humane, as a temper perpetually alive to the sentiments of birth and honor. The opinions he entertained upon these topics were illustrated in his conduct, which was assiduously conformed to the model of heroism that his fancy suggested. With these sentiments he set out upon his travels at the age at which the grand tour is usually made, and they were rather...

THOUGHTS ON MAN, HIS NATURE, PRODUCTIONS AND DISCOVERIES INTERSPERSED WITH SOME PARTICULARS RESPECTING THE AUTHOR by WILLIAM GODWIN Oh, the blood more stirs To rouse a lion, than to start a hare! - SHAKESPEARE LONDON: EFFINGHAM WILSON, ROYAL EXCHANGE. 1831. PREFACE In the ensuing volume I have attempted to give a defined and permanent form to a variety of thoughts, which have occurred to my mind in the course of thirty-four years, it being so long since I published a volume, entitled, the Enquirer,--thoughts, which, if they have presented themselves to other men, have, at least so far as I am aware, never been given to the public through the medium of the press. During a part of this period I had remained to a considerable degree unoccupied in my character of an author, and...

A Critical Essay on ShakespeareSuch is this celebrated drama. However absurd it may appear in my rendering (which I have endeavored to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time—if he were not under the hypnotic suggestion that this drama is the height of perfection—it would be enough to read it to its end (were he to have sufficient patience for this) to be convinced that far from being the height of perfection, it is a very bad, carelessly composed production, which, if it could have been of interest to a certain public at a certain time, can not evoke among us anything but aversion and weariness. Every reader of our time, who is free from the influence of suggestion, will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless, dramatized tales, "Pericles," "Twelfth Night," "The Tempest," "Cymbeline," "Troilus and Cressida." But such free-minded i...

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