Ambush, by Herbert Read
Criterion Miscellany - No 16. Ambush, Herbert Read, Faber & Faber First Blood Snow falling all night: in the morning the world will be white. The earth will be covered with a nice new coat of paint, to hide the scars and pockmarks. For the earth is in a bad way-a battered old scarecrow, blackened, ragged, her fingers and toes all splintered. Oh such a mess! Sanctuary Wood: the god of this sacred place is Moloch, and he is a very fierce old god, and people say that to seek sanctuary in his arms is to say goodbye to your beloved's. His sanctuary a wood, a dark gloomy glade, full of caves and ditches. If you wait till daylight you will find that the trees have no branches, but are whiskered with splinters. Tatterdemalion trees, you might s... (From : Anarchy Archives.)
CHAPTER 5 Our Union on the March STRIKERS CROWDED THE CORIDOR outside the hearing room in the Los Angeles City Hall on October 31, opening day of the arbitration proceedings, ready to testify when called. Vise-President Feinberg and Harry Sherr, attorney for the ILGWU, presented our case. Feinberg told of a whispering campaign against the union, by employers who contended it did not represent the dressmakers for whom it professed to speak. Arthur Booth, executive secretary of the manufacturers' association, asserted that "there has been no clash between the employers and employes in the dress industry on wages, hours, or working conditions." Our witnesses testified that the employers were operating a blacklist; had dismissed workers for discussing unionism and attending union meetings; and had shown marked favoritism to nonunion workers in an effort to break the union...
My life came to a standstill. I could breathe, eat, drink, and sleep, and I could not help doing these things; but there was no life, for there were no wishes the fulfillment of which I could consider reasonable. If I desired anything, I knew in advance that whether I satisfied my desire or not, nothing would come of it. Had a fairy come and offered to fulfill my desires I should not have know what to ask. If in moments of intoxication I felt something which, though not a wish, was a habit left by former wishes, in sober moments I knew this to be a delusion and that there was really nothing to wish for. I could not even wish to know the truth, for I guessed of what it consisted. The truth was that life is meaningless. I had as it were lived, lived, and walked, walked, till I had come to a precipice and saw clearly that there was nothing ahead of me but destruction. It was impossible to stop, impossible to go back, and impossible to close my eyes or avoid seeing tha...
Translated from the French by Robert Helms "La Justice de Paix" first appeared in La France on July 24, 1885, and was later anthologized in Lettres de ma Chaumiere, dedicated to Guy de Maupassant. The Justice of the Peace occupied a ground floor hearing room in the village's town hall that looked out onto the square. The stark, tiled room was divided in the middle by a sort of railing made of wh... (From : Mid-Atlantic Infoshop.)
English translation by Charlotte Anheier Erinnerungen eines Proletariers aus der (Memoirs of a proletarian from the revolutionary labor movement) Josef Peukert From My Youth The memories of my youth are depressing images of the proletariat which exists in different forms in all modern societies. A bitter longing and deprivation surrounded the untimely death of my mother from the awful proletarian's illness, which has affected a fifth of the civilization of my hometown. Although the whole district in the Isergebirge, had become somewhat of a health resort for "Schwindsuechtige". The glass industry, which provided work for a tenth of the civlization in the mountains and valleys surrounding my home town, divided the workers into those who blew... (From : Anarchy Archives.)
THE GERMAN DRAMA: HERMANN SUDERMANN THE FIRES OF ST. JOHN In "The Fires of St. John," Sudermann does not go as far as in " Magda." Nevertheless the play deals with important truths. Life does not always draw the same conclusions; life is not always logical, not always consistent. The function of the artist is to portray life-only thus can he be true both to art and to life. In this drama we witness the bondage of gratitude,-one of the most enslaving and paralyzing factors. Mr. Brauer, a landed proprietor, has a child, Gertrude, a beautiful girl, who has always lived the sheltered life of a hothouse plant. The Brauers also have an adopted daughter, Marie, whom they had picked up on the road, while traveling on a stormy night. They called her "the calamity child," because a great misfortune had befallen them shortly before. Mr. Brauerís younger brother, confronted with heavy losses, had shot himself, leaving behind his son George and a heavily mort...