Browsing Revolt Library By Tag : wanted

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Criterion Miscellany - No 16. Ambush, Herbert Read, Faber & Faber First Blood Snow falling all night: in the morning the world will be white. The earth will be covered with a nice new coat of paint, to hide the scars and pockmarks. For the earth is in a bad way-a battered old scarecrow, blackened, ragged, her fingers and toes all splintered. Oh such a mess! Sanctuary Wood: the god of this sacred place is Moloch, and he is a very fierce old god, and people say that to seek sanctuary in his arms is to say goodbye to your beloved's. His sanctuary a wood, a dark gloomy glade, full of caves and ditches. If you wait till daylight you will find that the trees have no branches, but are whiskered with splinters. Tatterdemali... (From : Anarchy Archives.)

CHAPTER 2 California Here We Come! CONDITIONS IN THE LOS ANGELES dress industry had grown steadily worse in five months. Manufacturers generally were violating the state minimum wage of $16 a week for women, and the President's Reemployment Agreement, more often called the Blanket Code, in effect until a permanent Code of Fair Competition under the NRA could be agreed upon for the industry. An appallingly large labor turnover was deliberately fostered by the employers for their own benefit. Workers who showed any inclination to organize for selfprotection were promptly fired; and the blacklist operated relentlessly against those who dared protest. I got a close-up of this from local union leaders the morning after my arrival. Something drastic must be done within the next few weeks. The City of Angels then had about 150 dress factories, employ...

A Confession by Lev Nikolayevich Tolstoy Distributed by the Tolstoy Library OnLine First distributed in Russia in 1882, first published in 1884. I I was baptized and brought up in the Orthodox Christian faith. I was taught it in childhood and throughout my boyhood and youth. But when I abandoned the second course of the university at the age of eighteen I no longer believed any of the things I had been taught. Judging by certain memories, I never seriously believed them, but had merely relied on what I was taught and on what was professed by the grown-up people around me, and that reliance was very unstable. I remember that before I was eleven a grammar school pupil, Vladimir Milyutin (long since dead), visited us one Sunday and announced as the latest novelty a discovery made at his school. This discovery was that there is no God and that all we are taught about Him...


The Justice of the Peace by Octave Mirbeau (1848-1917) Translated from the French by Robert Helms "La Justice de Paix" first appeared in La France on July 24, 1885, and was later anthologized in Lettres de ma Chaumiere, dedicated to Guy de Maupassant. The Justice of the Peace occupied a ground floor hearing room in the village's town hall that looked out onto the square. The stark, til (From : Mid-Atlantic Infoshop.)


English translation by Charlotte Anheier Erinnerungen eines Proletariers aus der (Memoirs of a proletarian from the revolutionary labor movement) Josef Peukert (1913) From My Youth The memories of my youth are depressing images of the proletariat which exists in different forms in all modern societies. A bitter longing and deprivation surrounded the untimely death of my mother from the awful proletarian's illness, which has affected a fifth of the civilaztion of my home town. Although the whole district in the Isergebirge, had become somewhat of a health resort for "Schwindsuechtige". The glass industry, which provided work for a tenth of the civlization in the mountains and valleys surrounding my home town, divided th... (From : Anarchy Archives.)

FOREWORD IN order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but ...

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