Ambush, by Herbert Read
Criterion Miscellany - No 16. Ambush, Herbert Read, Faber & Faber First Blood Snow falling all night: in the morning the world will be white. The earth will be covered with a nice new coat of paint, to hide the scars and pockmarks. For the earth is in a bad way-a battered old scarecrow, blackened, ragged, her fingers and toes all splintered. Oh such a mess! Sanctuary Wood: the god of this sacred place is Moloch, and he is a very fierce old god, and people say that to seek sanctuary in his arms is to say goodbye to your beloved's. His sanctuary a wood, a dark gloomy glade, full of caves and ditches. If you wait till daylight you will find that the trees have no branches, but are whiskered with splinters. Tatterdemalion trees, you might s... (From : Anarchy Archives.)
Rose Pesotta Bread upon the Waters CHAPTER 13 Last Outpost of Civilization FROM THE TROPICS to the Northwest÷from Puerto Rico to the State of Washington.... Late in December, 1934, I was on my way to Seattle at President Dubinsky's request. The International had chartered a dressmakers' local there, and it needed building up. Crossing the continent, I had the odd experience of meeting all four seasons of the year in the course of a single week. En route I visited Los Angeles, where the dressmakers had elected a new executive board, which I was called upon to install. The rival union had been liquidated some lime before. I was proud to note how well our membership had carried out the program we had charted following the hard fought general strike in 1933. In San Francisco the two locals had formed a joint boa...
So I lived, abandoning myself to this insanity for another six years, till my marriage. During that time I went abroad. Life in Europe and my acquaintance with leading and learned Europeans [Footnote: Russians generally make a distinction between Europeans and Russians. - A.M.] confirmed me yet more in the faith of striving after perfection in which I believed, for I found the same faith among them. That faith took with me the common form it assumes with the majority of educated people of our day. It was expressed by the word "progress". It then appeared to me that this word meant something. I did not as yet understand that, being tormented (like every vital man) by the question how it is best for me to live, in my answer, "Live in conformity with progress", I was like a man in a boat who when carried along by wind and waves should reply to what for him is the chief and only question. "whither to steer", by saying, "We are being carried somewhere". I did not...
Translated from the French by Robert Helms "La Justice de Paix" first appeared in La France on July 24, 1885, and was later anthologized in Lettres de ma Chaumiere, dedicated to Guy de Maupassant. The Justice of the Peace occupied a ground floor hearing room in the village's town hall that looked out onto the square. The stark, tiled room was divided in the middle by a sort of railing made of wh... (From : Mid-Atlantic Infoshop.)
English translation by Charlotte Anheier Erinnerungen eines Proletariers aus der (Memoirs of a proletarian from the revolutionary labor movement) Josef Peukert From My Youth The memories of my youth are depressing images of the proletariat which exists in different forms in all modern societies. A bitter longing and deprivation surrounded the untimely death of my mother from the awful proletarian's illness, which has affected a fifth of the civilization of my hometown. Although the whole district in the Isergebirge, had become somewhat of a health resort for "Schwindsuechtige". The glass industry, which provided work for a tenth of the civlization in the mountains and valleys surrounding my home town, divided the workers into those who blew... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...