Ambush, by Herbert Read
Criterion Miscellany - No 16. Ambush, Herbert Read, Faber & Faber First Blood Snow falling all night: in the morning the world will be white. The earth will be covered with a nice new coat of paint, to hide the scars and pockmarks. For the earth is in a bad way-a battered old scarecrow, blackened, ragged, her fingers and toes all splintered. Oh such a mess! Sanctuary Wood: the god of this sacred place is Moloch, and he is a very fierce old god, and people say that to seek sanctuary in his arms is to say goodbye to your beloved's. His sanctuary a wood, a dark gloomy glade, full of caves and ditches. If you wait till daylight you will find that the trees have no branches, but are whiskered with splinters. Tatterdemalion trees, you might s... (From : Anarchy Archives.)
CHAPTER 4 The Employers Try an Injunction HIRED THUGS APPEARED in front of the strike-bound garment factory buildings as another week began. Ostensibly their job was to protect "non-striking" workers; actually, they were on hand to foment disturbances. Clashes were provoked by these "guards" as they led in people who had never worked in the dress industry before, to replace the striking workers. Girl strikers were arrested and charged with disturbing the peace. Representatives of both sides conferred on Monday with Campbell MacCulloch, executive secretary of the National Recovery Administration's state board. He proposed a three-month compromise plan to end the strike. We could see only danger in that proposal. Early and specific action was vital to us; more waiting would mean a tired and disgusted rank-and-file, and final acceptance, through sheer weariness, of unfavorable...
In my search for answers to life's questions I experienced just what is felt by a man lost in a forest. He reaches a glade, climbs a tree, and clearly sees the limitless distance, but sees that his home is not and cannot be there; then he goes into the dark wood and sees the darkness, but there also his home is not. So I wandered n that wood of human knowledge, amid the gleams of mathematical and experimental science which showed me clear horizons but in a direction where there could be no home, and also amid the darkness of the abstract sciences where I was immersed in deeper gloom the further I went, and where I finally convinced myself that there was, and could be, no exit. Yielding myself to the bright side of knowledge, I understood that I was only diverting my gaze from the question. However alluringly clear those horizons which opened out before me might be, however alluring it might be to immerse oneself in the limitless expanse of thos...
Translated from the French by Robert Helms "La Justice de Paix" first appeared in La France on July 24, 1885, and was later anthologized in Lettres de ma Chaumiere, dedicated to Guy de Maupassant. The Justice of the Peace occupied a ground floor hearing room in the village's town hall that looked out onto the square. The stark, tiled room was divided in the middle by a sort of railing made of wh... (From : Mid-Atlantic Infoshop.)
English translation by Charlotte Anheier Erinnerungen eines Proletariers aus der (Memoirs of a proletarian from the revolutionary labor movement) Josef Peukert From My Youth The memories of my youth are depressing images of the proletariat which exists in different forms in all modern societies. A bitter longing and deprivation surrounded the untimely death of my mother from the awful proletarian's illness, which has affected a fifth of the civilization of my hometown. Although the whole district in the Isergebirge, had become somewhat of a health resort for "Schwindsuechtige". The glass industry, which provided work for a tenth of the civlization in the mountains and valleys surrounding my home town, divided the workers into those who blew... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...