In the morning Konstantin Levin left Moscow, and towards evening he reached home. On the journey in the train he talked to his neighbors about politics and the new railways, and, just as in Moscow, he was overcome by a sense of confusion of ideas, dissatisfaction with himself, shame of something or other. But when he got out at his own station, when he saw his one-eyed coachman, Ignat, with the collar of his coat turned up; when, in the dim light reflected by the station fires, he saw his own sledge, his own horses with their tails tied up, in their harness trimmed with rings and tassels; when the coachman Ignat, as he put in his luggage, told him the village news, that the contractor had arrived, and that Pava had calved,—he felt that little by little the confusion was clearing up, and the shame and self-dissatisfaction were passing away. He felt this at the mere sight of Ignat and the horses; but when he had put on the sheepskin brought for him, had sat down...
After Anna Mikháylovna had driven off with her son to visit Count Cyril Vladímirovich Bezúkhov, Countess Rostóva sat for a long time all alone applying her handkerchief to her eyes. At last she rang. “What is the matter with you, my dear?” she said crossly to the maid who kept her waiting some minutes. “Don’t you wish to serve me? Then I’ll find you another place.” The countess was upset by her friend’s sorrow and humiliating poverty, and was therefore out of sorts, a state of mind which with her always found expression in calling her maid “my dear” and speaking to her with exaggerated politeness. “I am very sorry, ma’am,” answered the maid. “Ask the count to come to me.” The count came waddling in to see his wife with a rather guilty look as usual. “Well, little countess? What a sauté of...