Browsing By Tag "conversation"
That which for Vronsky had been almost a whole year the one absorbing desire of his life, replacing all his old desires; that which for Anna had been an impossible, terrible, and even for that reason more entrancing dream of bliss, that desire had been fulfilled. He stood before her, pale, his lower jaw quivering, and besought her to be calm, not knowing how or why. "Anna! Anna!" he said with a choking voice, "Anna, for pity’s sake!..." But the louder he spoke, the lower she dropped her once proud and gay, now shame-stricken head, and she bowed down and sank from the sofa where she was sitting, down on the floor, at his feet; she would have fallen on the carpet if he had not held her. "My God! Forgive me!" she said, sobbing, pressing his hands to her bosom. She felt so sinful, so guilty, that nothing was left her but to humiliate herself and beg forgiveness; and as now there was no one in her life but him, to him she addressed her...
The ResurrectionFor three years afterwards Nekhludoff did not see Katiousha. But when, as staff-officer, he was on his way to his army post, he paid a short visit to his aunts, but an entirely different man. Three years ago he was an honest, self-denying youth, ready to devote himself to every good cause; now he was a corrupt and refined egotist, given over to personal enjoyment. Then, the world appeared to him as a mystery which he joyfully and enthusiastically tried to solve; now, everything in this world was plain and simple, and was determined by those conditions of life in which he found himself. Then, it was necessary and important to hold communion with nature and with those people who lived, thought and felt before him (philosophers, poets); now, human institutions were the only things necessary and important, and communion he held with his comrades. Woman, then, appeared to him a mysterious and charming creature; now, he looked on woman, on every woman, except nearest re...
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER V IT is not my purpose to convert these honest pages into a record of dissipations; far less, of the rude and unseemly dissipations of an overgrown boy. There are few ebaracters more repulsive than that in which we find conjoined the fresh and ingenuous lineaments of a young man, in whom the down has scarcely yet shaded his prosperous cheek, with the impudence of a practiced libertine. I look back upon it with horror. Youth, if once it has broken through the restraints of decorum, is the minister of cruelty. Even in me, whose disposition was naturally kind and humane, there was too much of this. It is suffering only that can inspire us with true sympathy, that can render us alive to those trifles which constitute so large a portion of earthly misery or happiness, that can give us a feeling of that anguish, which,...
Peter Nikolaevich Sventizky, a short man in black spectacles (he had weak eyes, and was threatened with complete blindness), got up, as was his custom, at dawn of day, had a cup of tea, and putting on his short fur coat trimmed with astrachan, went to look after the work on his estate. Peter Nikolaevich had been an official in the Customs, and had gained eighteen thousand rubles during his service. About twelve years ago he quitted the service—not quite of his own accord: as a matter of fact he had been compelled to leave—and bought an estate from a young landowner who had dissipated his fortune. Peter Nikolaevich had married at an earlier period, while still an official in the Customs. His wife, who belonged to an old noble family, was an orphan, and was left without money. She was a tall, stoutish, good-looking woman. They had no children. Peter Nikolaevich had considerable practical talents and a strong will. He was the son of a Polish gentleman, and knew no...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
Travelers left and entered our car at every stopping of the train. Three persons, however, remained, bound, like myself, for the farthest station: a lady neither young nor pretty, smoking cigarettes, with a thin face, a cap on her head, and wearing a semi-masculine outer garment; then her companion, a very loquacious gentleman of about forty years, with baggage entirely new and arranged in an orderly manner; then a gentleman who held himself entirely aloof, short in stature, very nervous, of uncertain age, with bright eyes, not pronounced in color, but extremely attractive,—eyes that darted with rapidity from one object to another. This gentleman, during almost all the journey thus far, had entered into conversation with no fellow-traveler, as if he carefully avoided all acquaintance. When spoken to, he answered curtly and decisively, and began to look out of the car window obstinately. Yet it seemed to me that the solitude weighed upon him. He seemed to perc...
As soon as he got into the house, the old man bowed once more; then using his coat-tail to dust the bench in the front of the room, he smiled, and said,— "What do you want of us, your excellency?" The hut was bright and roomy, with a chimney; and it had a loft and berths. The fresh aspen-wood beams, between which could be seen the moss, scarcely faded, were as yet not turned dark. The new benches and the loft were not polished smooth, and the floor was not worn. One young peasant woman, rather lean, with a serious oval face, was sitting on a berth, and using her foot to rock a hanging cradle that was suspended from the ceiling by a long hook. This was Ilya's wife. In the cradle lay at full length a suckling child, scarcely breathing, and with closed eyes. Another young woman, robust and rosy-cheeked, with her sleeves rolled up above her elbows, showing strong arms and hands red even higher than her wrists, was standing in front of the oven, an...
SEVASTOPOL IN DECEMBER, 1854. The flush of morning has but just begun to tinge the sky above Sapun Mountain; the dark blue surface of the sea has already cast aside the shades of night and awaits the first ray to begin a play of merry gleams; cold and mist are wafted from the bay; there is no snow—all is black, but the morning frost pinches the face and crackles underfoot, and the far-off, unceasing roar of the sea, broken now and then by the thunder of the firing in Sevastopol, alone disturbs the calm of the morning. It is dark on board the ships; it has just struck eight bells. Toward the north the activity of the day begins gradually to replace the nocturnal quiet; here the relief guard has passed clanking their arms, there the doctor is already hastening to the hospital, further on the soldier has crept out of his earth hut and is washing his sunburnt face in ice-encrusted water, and, turning towards the crimsoning east, crosses himself quickly...
There are periods in the life of human society when revolution becomes an imperative necessity, when it proclaims itself as inevitable. New ideas germinate everywhere, seeking to force their way into the light, to find an application in life; everywhere they are opposed by the inertia of those whose interest it is to maintain the old order; they suffocate in the stifling atmosphere of prejudice and traditions. The accepted ideas of the constitution of the State, of the laws of social equilibrium, of the political and economic interrelations of citizens, can hold out no longer against the implacable criticism which is daily undermining them whenever occasion arises,--in drawing room as in cabaret, in the writings of philosophers as in daily ... (From : Anarchy Archives.)
WILLIAM GODWIN GODWIN'S OWN ACCOUNT OF CALEB WILLIAMS As written for insertion in the edition of FLEETWOOD when that novel was reprinted in Bentley's "Standard Novels' as No. XXII London, November 20, 1832 CALEB WILLIAMS has always been regarded by the public with an unusual degree of favor. The proprietor of "THE STANDARD NOVELS" has therefore imagined, that even an account of the concoction and mode of writing the work would be viewed with some interest. I had always felt in myself some vocation towards the composition of a narrative of fictitious adventure; and among the things of obscure note, which I have above referred to, were two or three pieces of this nature. It is not therefore extraordinary that some project of the sort should have suggested itself on the present occasion [after the publication of Political Justice] I formed a conception of a book of fictitious adv...
These sketches are written in the style of Tolstoy's "Popular Stories and Legends," and give the reader various glimpses into modern village life in Russia THE FREE AGE PRESS Publisher: C. W. DANIEL 3 Amen Corner, London, E. C. THREE DAYS IN THE VILLAGE And Other Sketches No Rights Reserved THREE DAYS IN THE VILLAGE And Other Sketches Written from September 1909 to July 1910 BY LEO TOLSTOY Translated by L. and A. Maude LONDON THE FREE AGE PRESS (C. W. DANIEL) 3 AMEN CORNER, E. C. 1910 CONTENTS PAGE THREE DAYS IN THE VILLAGE— FIRST DAY—TRAMPS 7... (From : Gutenberg.org.)
After Anna Mikháylovna had driven off with her son to visit Count Cyril Vladímirovich Bezúkhov, Countess Rostóva sat for a long time all alone applying her handkerchief to her eyes. At last she rang. “What is the matter with you, my dear?” she said crossly to the maid who kept her waiting some minutes. “Don’t you wish to serve me? Then I’ll find you another place.” The countess was upset by her friend’s sorrow and humiliating poverty, and was therefore out of sorts, a state of mind which with her always found expression in calling her maid “my dear” and speaking to her with exaggerated politeness. “I am very sorry, ma’am,” answered the maid. “Ask the count to come to me.” The count came waddling in to see his wife with a rather guilty look as usual. “Well, little countess? What a sauté of...
On awaking next morning my first thoughts were of the affair with Kolpikoff. Once again I muttered to myself and stamped about the room, but there was no help for it. Today was the last day that I was to spend in Moscow, and it was to be spent, by Papa’s orders, in my paying a round of calls which he had written out for me on a piece of paper—his first solicitude on our account being not so much for our morals or our education as for our due observance of the convenances. On the piece of paper was written in his swift, broken hand-writing: “ Prince Ivan Ivanovitch WITHOUT FAIL; the Iwins WITHOUT FAIL; Prince Michael; the Princess Nechludoff and Madame Valakhina if you wish.” Of course I was also to call upon my guardian, upon the rector, and upon the professors. These last-mentioned calls, however, Dimitri advised me not to pay: saying that it was not only unnecessary to do so, but not the thing. However, there were the other visits t...