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Viola, Bromley, Kent March 5, 1902 My dear friend, I read your letter with a great deal of personal and general interest, and I would like to be able to answer it at length, as well as to discuss one of its essential points, individualism. Maybe someday I will write a few articles on individualism. At any rate, I will try to answer you now without entering into lengthy details. I will start with the central point of your letter, in which you ask why youth is not the same now as it was in 1890-94. According to you, it is because at the time, we were affected by the libertarian movement in art and literature and so forth. Well, we still are. The only difference is that it is they who no longer want us, and that, after having given us several ... (From : Anarchy Archives.)
THE popular notion about marriage and love is that they are synonymous, that they spring from the same motives, and cover the same human needs. Like most popular notions this also rests not on actual facts, but on superstition. Marriage and love have nothing in common; they are as far apart as the poles; are, in fact, antagonistic to each other. No doubt some marriages have been the result of love. Not, however, because love could assert itself only in marriage; much rather is it because few people can completely outgrow a convention. There are to-day large numbers of men and women to whom marriage is naught but a farce, but who submit to it for the sake of public opinion. At any rate, while it is true that some marriages are based on love,... (From : Anarchy Archives.)
IF I WERE to give a summary of the tendency of our times, I would say, Quantity. The multitude, the mass spirit, dominates everywhere, destroying quality. Our entire life--production, politics, and education--rests on quantity, on numbers. The worker who once took pride in the thoroughness and quality of his work, has been replaced by brainless, incompetent automatons, who turn out enormous quantities of things, valueless to themselves, and generally injurious to the rest of mankind. Thus quantity, instead of adding to life's comforts and peace, has merely increased man's burden. In politics, naught but quantity counts. In proportion to its increase, however, principles, ideals, justice, and uprightness are completely swamped by the array o... (From : Anarchy Archives.)
THE MODERN DRAMA A POWERFUL DISSEMINATOR OF RADICAL THOUGHT SO LONG as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the ... (From : Anarchy Archives.)
Emma Goldman, The Social Significance of the Modern Drama (Boston: Richard G. Badger, 1914; The Gorham Press, Boston, U.S.A.) THE SCANDINAVIAN DRAMA IN a letter to George Brandes, shortly after the Paris Commune, Henrik Ibsen wrote concerning the State and political liberty: "The State is the curse of the individual. How has the national strength of Prussia been purchased? By the sinking of the individual in a political and geographical formula. . . . The State must go! That will be a revolution which will find me on its side. Undermine the idea of the State, set up in its place spontaneous action, and the idea that spiritual relationship is the only thing that makes for unity, and you will start the elements of a liberty which will be something worth possessing." The State was not the only bête noire of Henrik Ibsen. Every other institution which, like the State, rests upon a lie, was an in...