From The Alarm, Sunday, September 27, 1896, p. 3. Anarchy and the Sex Question. By EMMA GOLDMAN (Reprinted from the "New York World.") The workingman, whose strength and muscles are so admired by the pale, puny off-springs of the rich, yet whose labor barely brings him enough to keep the wolf of starvation from the door, marries only to have a wife and house-keeper, who must slave from morning till night, who must make every effort to keep down expenses. Her nerves are so tired by the continual effort to make the pitiful wages of her husband support both of them that she grows irritable and no longer is successful in concealing her want of affection for her lord and master, who, alas! soon comes to the conclusion that his hopes and plans ha... (From : Anarchy Archives.)
Chapter 22 The ball was only just beginning as Kitty and her mother walked up the great staircase, flooded with light, and lined with flowers and footmen in powder and red coats. From the rooms came a constant, steady hum, as from a hive, and the rustle of movement; and while on the landing between trees they gave last touches to their hair and dresses before the mirror, they heard from the ballroom the careful, distinct notes of the fiddles of the orchestra beginning the first waltz. A little old man in civilian dress, arranging his gray curls before another mirror, and diffusing an odor of scent, stumbled against them on the stairs, and stood aside, evidently admiring Kitty, whom he did not know. A beardless youth, one of those society youths whom the old Prince Shtcherbatsky called "young bucks," in an exceedingly open waistcoat, straightening his white tie as he went, bowed to them, and after running by, came back to ask Kitty for a q...
A Tale of 1852
Produced by Steve Harris, Charles Franks and the Online Distributed Proofreading Team. THE COSSACKS A Tale of 1852 By Leo Tolstoy Translated by Louise and Aylmer Maude Chapter I All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light ... (From : Gutenberg.org.)
DAMON AND DELIA: A TALE. --NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humour. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. (From : Gutenberg.org.)
A Free Man's Worship by Bertrand Russell A brief introduction: "A Free Man's Worship" (first published as "The Free Man's Worship" in Dec. 1903) is perhaps Bertrand Russell's best known and most reprinted essay. Its mood and language have often been explained, even by Russell himself, as reflecting a particular time in his life; "it depend(s)," he wrote in 1929, "upon a metaphysic which is more platonic than that which I now believe in." Yet the essay sounds many characteristic Russellian themes and preoccupations and deserves consideration--and further serious study--as an historical landmark of early-twentieth-century European thought. For a scholarly edition with some documentation, see Volume 12 of The Collected Papers of Bertrand Russe... (From : Drew.edu.)
Amidst the sordidness and squalor of the carnival of Capitalism, we often find it hard to realize that things have not always been as they are. Not that there is no beauty to fill our hearts and bring the tears to our eyes, in country-side and mountain glen to-day! Not that the exquisite loveliness of human nature is less intoxicating in its eternal i freshness than in the older days of romance! Not that our treasure of knowledge is losing its preciousness as it grows, or that time keen joy of thought palls amid the stress that stimulates it! None of this; and yet so bitter is the ever-quickening consciousness of loss and wrong in the social atmosphere, that the purest pleasures of the few who are free to enjoy are darkened and turned to pa... (From : AnarchyArchives.)
Mr. Mencken gives the impression of an able mind so harried and irritated by the philistinism of American life that it has not been able to attain its full power. These more carefully worked-over critical essays are, on the whole, less interesting and provocative than the irresponsible comment he gives us in his magazine. How is it that so robust a hater of uplift and puritanism becomes so fanatical a crusader himself? One is forced to call Mr. Mencken a moralist, for with him appraisement has constantly to stop while he tilts against philistine critics and outrageous puritans. In order to show how good a writer is, he must first show how deplorably fatuous, malicious or ignorant are all those who dislike him. Such a proof is undoubtedly th... (From : fair-use.org.)
THE HISTORY OF A MOUNTAIN ILLUSTRATED BY L. BENNETT RANSLATED FROM THE FRENCH NEW YORK HARPER & BROTHERS, FRANKLIN SQUARE 1881 Entered according to Act of Congress, in the year 1881, by HARPER & BROTHERS, In the Office of the Librarian of Congress, at Washington. CONTENTS. I. THE RETREAT II. PEAKS AND VALLEYS III. ROCKS AND CRYSTALS IV. THE ORIGIN OF THE MOUNTAIN V. FOSSILS VI. THE DESTRUCTION OF THE PEAKS VII. LANDSLIPS VIII. CLOUDS IX. FOGS AND STORMS X. SNOW "XL AVALANCHES XII. GLACIERS XIII. MORAINES AND TORRENTS XIV. FORESTS AND PASTURES XV. THE ANIMALS OF THE MOUNTAIN XVI. GRADATIONS OF CLIMATE XVII. THE FREE MOUNTAINEER XVIII. CRETINS XIX. MOUNTAIN-WORSHIP XX. OLYMPUS AND THE GODS... (From : Archive.org.)
SPEAKING of Puritanism in relation to American art, Mr. Gutzon Borglum said: "Puritanism has made us self-centered and hypocritical for so long, that sincerity and reverence for what is natural in our impulses have been fairly bred out of us, with the result that there can be neither truth nor individualality in our art." Mr. Borglum might have added that Puritanism has made life itself impossible. More than art, more than estheticism, life represents beauty in a thousand variations; it is indeed, a gigantic panorama of eternal change. Puritanism, on the other hand, rests on a fixed and immovable conception of life; it is based on the Calvinistic idea that life is a curse, imposed upon man by the wrath of God. In order to redeem himself man... (From : Anarchy Archives.)
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgement of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his...