The old neglected palazzo, with its lofty carved ceilings and frescoes on the walls, with its floors of mosaic, with its heavy yellow stuff curtains on the windows, with its vases on pedestals, and its open fireplaces, its carved doors and gloomy reception rooms, hung with pictures—this palazzo did much, by its very appearance after they had moved into it, to confirm in Vronsky the agreeable illusion that he was not so much a Russian country gentleman, a retired army officer, as an enlightened amateur and patron of the arts, himself a modest artist who had renounced the world, his connections, and his ambition for the sake of the woman he loved. The pose chosen by Vronsky with their removal into the palazzo was completely successful, and having, through Golenishtchev, made acquaintance with a few interesting people, for a time he was satisfied. He painted studies from nature under the guidance of an Italian professor of painting, and studied medieval I...
Youth, by Leo Tolstoy
On the 16th of April, I entered, for the first time, and under the wing of St. Jerome, the great hall of the University. I had driven there with St. Jerome in our smart phaeton and wearing the first frockcoat of my life, while the whole of my other clothes—even down to my socks and linen—were new and of a grander sort. When a Swiss waiter relieved me of my greatcoat, and I stood before him in all the beauty of my attire, I felt almost sorry to dazzle him so. Yet I had no sooner entered the bright, carpeted, crowded hall, and caught sight of hundreds of other young men in gymnasium [The Russian gymnasium = the English grammar or secondary school.] uniforms or frockcoats (of whom but a few threw me an indifferent glance), as well as, at the far end, of some solemn-looking professors who were seated on chairs or walking carelessly about among some tables, than I at once became disabused of the notion that I should attract the general attention, while the expression of my...