From: G.P. Maximoff, Syndicalists in the Russian Revolution The Author GREGORI PETROVICH MAXIMOFF was born on November 10, 1893, in the Russian village of Mitushino, province of Smolensk. After studying for the priesthood, he realized this was not his vocation and went to St. Petersburg, where he graduated as an agronomist at the Agricultural Academy in 1915. He joined the revolutionary movement, while a student, was an active propagandist and, after the 1917 revolution, joined the Red Army. When the Bolsheviks used the Army for police work and for disarming the workers, he refused to obey orders and was sentenced to death. The solidarity of the steelworkers' union saved his life. He edited the Anarcho-Syndicalist papers Golos Trouda (Voice... (From : Anarchy Archives.)
From Meet Kropotkin. The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d. KROPOTKIN - THE MASTER by HERBERT READ. PRINCE PETER ALEXEIVICH KROPOTKIN was born at Moscow on the 9th December, 1842 (o. s.). His father, Prince Alexei Petrovich Kropotkin, is described by Kropotkin as "a typical officer of the time of Nicholas I", but he seems to have been an easy-going parent, content to leave his son's education to his French tutor until it was time to send him off to a military academy. Kropotkin's mother was the youngest daughter of the commander of a Cossack army corps, General Sulima, and a woman of great refinement and sensibility, qualities which her son must have inherited, for she died before she had time to influence him ... (From : Anarchy Archives.)
Pierre well knew this large room divided by columns and an arch, its walls hung round with Persian carpets. The part of the room behind the columns, with a high silk-curtained mahogany bedstead on one side and on the other an immense case containing icons, was brightly illuminated with red light like a Russian church during evening service. Under the gleaming icons stood a long invalid chair, and in that chair on snowy-white smooth pillows, evidently freshly changed, Pierre saw—covered to the waist by a bright green quilt—the familiar, majestic figure of his father, Count Bezúkhov, with that gray mane of hair above his broad forehead which reminded one of a lion, and the deep characteristically noble wrinkles of his handsome, ruddy face. He lay just under the icons; his large thick hands outside the quilt. Into the right hand, which was lying palm downward, a wax taper had been thrust between forefinger and thumb, and an old servant, be...