The first person to meet Anna at home was her son. He dashed down the stairs to her, in spite of the governess’s call, and with desperate joy shrieked: "Mother! mother!" Running up to her, he hung on her neck. "I told you it was mother!" he shouted to the governess. "I knew!" And her son, like her husband, aroused in Anna a feeling akin to disappointment. She had imagined him better than he was in reality. She had to let herself drop down to the reality to enjoy him as he really was. But even as he was, he was charming, with his fair curls, his blue eyes, and his plump, graceful little legs in tightly pulled-up stockings. Anna experienced almost physical pleasure in the sensation of his nearness, and his caresses, and moral soothing, when she met his simple, confiding, and loving glance, and heard his naïve questions. Anna took out the presents Dolly’s children had sent him, and told her son what sort of little girl was Tanya at Mosco...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER IX THE second day after my arrival, M. Ruffigny conducted me on a little tour to the lake of Uri. "My country," said he, "makes but a petty figure in the map of the globe; and, perhaps, it maybe a frivolous sort of pride in me, that makes me feel complacency in recollecting that I am a burgher of Uri. I do not merely exult that I am a Swiss, but I sometimes indulge myself in a fastidious comparison between my native canton and the more spacious and opulent republics of Zurich and Berne. The little state which I inhabit, is nearly one cluster of rugged and inhospitable mountains; yet this is the district in which the Swiss liberty was engendered; and from hence, as a center, it spread on every side to the furthest boundaries of the union. I am myself descended from the patriot...
A Comedy in Four ActsLEONÍD FYÓDORITCH ZVEZDÍNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish people with his wonderful stories. ANNA PÁVLOVNA ZVEZDÍNTSEVA. Wife of Leoníd. Stout; pretends to be young; quite taken up with the conventionalities of life; despises her husband, and blindly believes in her doctor. Very irritable. BETSY. Their daughter. A young woman of 20, fast, tries to be mannish, wears a pince-nez, flirts and giggles. Speaks very quickly and distinctly. VASÍLY LEONÍDITCH ZVEZDÍNTSEF. Their son, aged 25; has studied law, but has no definite occupation. Member of the Cycling Club, Jockey Club, and of the Society for Promoting the Breeding of Hounds. Enjoys perfect health, and has imperturbable self-assurance. Speaks loud...
1896 January 23. Moscow. Just a month that I made no entries. During this time I wrote a letter about patriotism and a letter to Crosby and here now for two weeks I have been writing the drama. I wrote three acts abominably. I thought to make an outline so as to form a charpente. I have little hope of success. Chertkov and Kenworthy went away the 7th. Sonya went to Tver to Andrusha. To-day Nagornov died. I am again a little indisposed. I jotted down during this time: 1) A true work of art—a contagious one—is produced only when the artist seeks, strives. In poetry this passion for representing that which is, comes from the fact that the artist hopes that having seen clearly and having fixed that which is, he will understand the mean...
Count Rostóv took the girls to Countess Bezúkhova’s. There were a good many people there, but nearly all strangers to Natásha. Count Rostóv was displeased to see that the company consisted almost entirely of men and women known for the freedom of their conduct. Mademoiselle George was standing in a corner of the drawing room surrounded by young men. There were several Frenchmen present, among them Métivier who from the time Hélène reached Moscow had been an intimate in her house. The count decided not to sit down to cards or let his girls out of his sight and to get away as soon as Mademoiselle George’s performance was over. Anatole was at the door, evidently on the lookout for the Rostóvs. Immediately after greeting the count he went up to Natásha and followed her. As soon as she saw him she was seized by the same feeling she had had at the opera—gratified vanity at his...