None but those who were most intimate with Alexey Alexandrovitch knew that, while on the surface the coldest and most reasonable of men, he had one weakness quite opposed to the general trend of his character. Alexey Alexandrovitch could not hear or see a child or woman crying without being moved. The sight of tears threw him into a state of nervous agitation, and he utterly lost all power of reflection. The chief secretary of his department and his private secretary were aware of this, and used to warn women who came with petitions on no account to give way to tears, if they did not want to ruin their chances. "He will get angry, and will not listen to you," they used to say. And as a fact, in such cases the emotional disturbance set up in Alexey Alexandrovitch by the sight of tears found expression in hasty anger. "I can do nothing. Kindly leave the room!" he would commonly cry in such cases. When returning from the races Anna had informed him of her relat...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER II The proper topic of the narrative I am writing is the record of my errors, To write it, is the act of my pentinence and humiliation. I can expect however few persons to interest themselves respecting my errors, unless they are first informed what manner of man I am, what were my spontaneous and native dispositions, and whether I am such a one as that my errors are worthy of commiseration and pity. This must be my apology for the topic I am here to introduce, a topic on which all ingenous minds are disposed to be silent, and which shall in this place be passed over as flightly as possible, my beneficence and charities. I was fond of penetrating into the cottages of the poor. I should be greatly unjust to myself, if I suffered the reader to suppose that the wild elevati...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
THE JOURNAL OF LEO TOLSTOY (First Volume—1895–1899) TRANSLATED FROM THE RUSSIAN By ROSE STRUNSKY ALFRED A. KNOPF NEW YORK · MCMXVII COPYRIGHT, 1917, BY ALFRED A. KNOPF PRINTED IN THE UNITED STATES OF AMERICA INTRODUCTION The ultimate meaning of the Russian Revolution which took place in March, 1917, can be best understood through the pages of the Journal of Leo Tolstoy which is here printed. The spiritual qualities which make up the mind and personality of Tolstoy are the spiritual qualities which make up the new era among men which is being waged so painfully and so uncompromisingly at the present moment on the soil of Russia. One holds the key to the other, for no land but Russia could have produced a Tolstoy, and in no land but Russia could Tolstoy have been so embraced and so absorbed. They are both flesh of each other&rs...
“Well, Prince, so Genoa and Lucca are now just family estates of the Buonapartes. But I warn you, if you don’t tell me that this means war, if you still try to defend the infamies and horrors perpetrated by that Antichrist—I really believe he is Antichrist—I will have nothing more to do with you and you are no longer my friend, no longer my ‘faithful slave,’ as you call yourself! But how do you do? I see I have frightened you—sit down and tell me all the news.” It was in July, 1805, and the speaker was the well-known Anna Pávlovna Schérer, maid of honor and favorite of the Empress Márya Fëdorovna. With these words she greeted Prince Vasíli Kurágin, a man of high rank and importance, who was the first to arrive at her reception. Anna Pávlovna had had a cough for some days. She was, as she said, suffering from la grippe; grippe being then a new word in...