From The Alarm, Sunday, September 27, 1896, p. 3. Anarchy and the Sex Question. By EMMA GOLDMAN (Reprinted from the "New York World.") The workingman, whose strength and muscles are so admired by the pale, puny off-springs of the rich, yet whose labor barely brings him enough to keep the wolf of starvation from the door, marries only to have a wife and house-keeper, who must slave from morning till night, who must make every effort to keep down expenses. Her nerves are so tired by the continual effort to make the pitiful wages of her husband support both of them that she grows irritable and no longer is successful in concealing her want of affection for her lord and master, who, alas! soon comes to the conclusion that his hopes and plans ha... (From : Anarchy Archives.)
Published by Freiheit Publishing Association New York Among all mental diseases which man has systematically inoculated into his cranium, the religious pest is the most abominable. Like all things else, this disease has a history; it only regrettable that in this case nothing will be found of the development from nonsense to reason, which is generally assumed to be the course of history. Old Zeus and his double, Jupiter, were still quite decent, jolly, we might even say, somewhat enlightened fellows, if compared with the last triplet on the pedigree of gods who, on examination, can safely rival with Vitzliputzli as to brutality and cruelty. We won't argue at all with the pensioned or dethroned gods, for they no longer do any harm. But the m... (From : Anarchy Archives.)
SPEAKING of Puritanism in relation to American art, Mr. Gutzon Borglum said: "Puritanism has made us self-centered and hypocritical for so long, that sincerity and reverence for what is natural in our impulses have been fairly bred out of us, with the result that there can be neither truth nor individualality in our art." Mr. Borglum might have added that Puritanism has made life itself impossible. More than art, more than estheticism, life represents beauty in a thousand variations; it is indeed, a gigantic panorama of eternal change. Puritanism, on the other hand, rests on a fixed and immovable conception of life; it is based on the Calvinistic idea that life is a curse, imposed upon man by the wrath of God. In order to redeem himself man... (From : Anarchy Archives.)
When, in the course of human development, existing institutions prove inadequate to the needs of man, when they serve merely to enthralled, rob, and oppress mankind, the people have the eternal right to rebel against, and overthrow, these institutions. The mere fact that these forces--inimical to life, liberty, and the pursuit of happiness--are legalized by statute laws, sanctified by divine rights, and enforced by political power, in no way justifies their continued existence. We hold these truths to be self-evident: that all human beings, irrespective of race, color, or sex, are born with the equal right to share at the table of life; that to secure this right, there must be established among men economic, social, and political freedom; w... (From : University of Berkeley.)
Our Synthetic Environment Murray Bookchin CHAPTER ONE: THE PROBLEM Our Changed Environment Life in the United States has changed so radically over the past one hundred years that the most wearisome historians tend to become rhapsodic when they describe the new advances that have been made in technology, science, and medicine. We are usually told that early in the last century most Americans lived heroic but narrow lives, eking out a material existence that was insecure and controlled by seasonal changes, drought, and the natural fertility of the soil. Daily work chores were extremely arduous; knowledge, beleaguered by superstition, was relatively crude. Historians with an interest in science often point out that medical remedies were primitive, if not useless; they may have sufficed to relieve the symptoms of common diseases, but they seldom effected a cure. Life was hard and precarious, afflicted by many tragedies that can easily be a...
[SECOND NOTICE.] Are Prisons Necessary? is the title of the concluding chapter of Kropotkin's account of his prison experiences. "Unhappily, hitherto," he goes on to remark, "our penal institutions have been nothing but a compromise between the old ideas of revenge, of punishment of the 'bad will' and 'sin,' and the modern ideas of 'deterring from crime,' both softened to a very slight extent by some notions of philanthropy." But is it not time that we fully recognized the fact that crime, like bodily disease, is capable of scientific investigation, and of that scientific treatment which considers prevention the best of cures? An energetic school of scientific students of crime has sprung up of late years in Italy and Germany, who have devo... (From : AnarchyArchives.)
This manuscript is part of the International Institute for Social History's Alexander Berkman archive and appears in Anarchy Archives with ISSH's permission. Prisons and Crime. Three Essays by A.B. III. Crime. Society makes not the least effort to prevent crime, as it could and should by pursuing such methods which would tend to remove the conditions breeding criminals. It deals with criminals, not with crime. It concerns itself only with the classes or individuals already criminal --- generally after the commitment of a crime and occasionally while in the act of commitment --- completely disregarding those standing on the precipice. of criminality; ready to take their fatal leap. Along the road of want and suffering and forbearance society... (From : Anarchy Archives.)
NIGHT in a prison cell! A chair, a bed, a small washstand, four blank walls, ghastly in the dim light from the corridor without, a narrow window, barred and sunken in the stone, a grated door! Beyond its hideous iron latticework, within the ghastly walls, -a man! An old man, gray-haired and wrinkled, lame and suffering. There he sits, in his great loneliness, shut in front all the earth. There he walks, to and fro, within his measured space, apart from all he loves! 'There, for every night in five long years to come, he will walk alone, while the white age-flakes drop upon his head, while the last years of the winter of life gather and pass, and his body draws near the ashes. Every night, for five long years to come, he will sit alone, this... (From : Anarchy Archives.)
FOREWORD IN order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but...
This manuscript is part of the International Institute of Social History's Alexander Berkman Archive and appears in Anarchy Archives with IISH's permission. Some Reminiscences of Kropotkin By Alexander Berkman It was about 1890, when the anarchist movement was still in its infancy in America. We were just a handful then, young men and women fired by the enthusiasm of a sublime ideal, and passionately spreading the new faith among the population of the New York Ghetto. We held our gatherings in an obscure hall in Orchard Street, but we regarded our efforts as highly successful. Every week greater numbers attended our meetings, much interest was manifested in the revolutionary teachings, and vital questions were discussed late into the night,... (From : Anarchy Archives.)