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Or - Humanism And Realism
The False Principle of Our Education Or - Humanism And Realism By Max Stirner Because our time is struggling toward the word with which it may express its spirit, many names come to the fore and all make claim to being the right name. On all sides our present time reveals the most chaotic partizan tumult and the eagles of the moment gather around the decaying legacy of the past. There is everywhere a great abundance of political, social, ecclesiastical, scientific, artistic, moral and other corpses, and until they are all consumed, the air will not be clean and the breath of living beings will be oppressed. Without our assistance, time will not bring the right word to light; we must all work together on it. If, however, so much depends upon... (From : Anarchy Archives.)
FREEDOM IS IT A CRIME? The Strange Case of the Tree Anarchists Jailed at the Old Bailey, April 1945 Two Speeches by HERBERT READ FORWARD by E. SILVERMAN FREEDOM PRESS DEFENCE COMMITTEE 2d. First Published by The Freedom Press Defense Committee, 17, St. George Street, London, W.1. June, 1945 And printed by Express Printers, London. The Publishers have asked me to write a foreword to this pamphlet. As an individual who cares about freedom of speech and freedom of the press I accept with pleasure the opportunity to say a word to the public. Three decent, useful and respectable citizens, who Mr. Justice Birkett said were of the highest character and who he was quite prepared to believe were actuated by the highest motives, are in prison. Their ... (From : Anarchy Archives.)
Transcriber's Note: This e-book belongs to Tolstoy's Plays (Complete Edition). The front matter, including the table of contents, can be found in a separate e-book; it links to the other plays in the collection. Every effort has been made to replicate this text as faithfully as possible; changes (corrections of spelling and punctuation) made to the original text are marked like this. The original text appears when hovering the cursor over the marked text. FRUITS OF CULTURE A COMEDY IN FOUR ACTS 122 CHARACTERS LEOND FYDORITCH ZVEZDNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish peop... (From : Gutenberg.org.)
THE HERALD OF LITERATURE. [PRICE TWO SHILLINGS.] THE HERALD OF LITERATURE; OR, A REVIEW OF THE MOST CONSIDERABLE PUBLICATIONS THAT WILL BE MADE IN THE COURSE OF THE ENSUING WINTER: WITH EXTRACTS. LONDON: PRINTED FOR J. MURRAY, NO. 32, FLEET-STREET. M DCC LXXXIV. TO THE... (From : Gutenberg.org.)
A RUSSIAN PROPRIETOR. I. Prince Nekhliudof was nineteen years of age when, at the end of his third term at the university, he came to spend his summer vacation on his estate. He was alone there all the summer. In the autumn he wrote in his unformed, boyish hand, a letter to his aunt, the Countess Biloretskaa, who, according to his notion, was his best friend, and the most genial woman in the world. The letter was in French, and was to the following effect: "Dear Auntie,I have adopted a resolution upon which must depend the fate of my whole existence. I have left the university in order to devote myself to a country life, because I feel that I was born for it. For God's sake, dear auntie, don't make sport of me. You say that I am young. Perhaps I am still almost a child; but this does not prevent me from feeling sure of my vocation, from wishing to accomplish it...
VI. The soldiers were bearing the wounded on stretchers, and supporting them by their arms. It was completely dark in the streets; now and then, a rare light flashed in the hospital or from the spot where the officers were seated. The same thunder of cannon and exchange of rifle-shots was borne from the bastions, and the same fires flashed against the dark heavens. Now and then, you could hear the trampling hoofs of an orderly's horse, the groan of a wounded man, the footsteps and voices of the stretcher-bearers, or the conversation of some of the frightened female inhabitants, who had come out on their porches to view the cannonade. Among the latter were our acquaintances Nikita, the old sailor's widow, with whom he had already made his peace, and her ten-year-old daughter. Lord, Most Holy Mother of God! whispered the old woman to herself with a sigh, as she watched the bombs, which, like balls of[Pg 69] fire, sail...
NIGHT in a prison cell! A chair, a bed, a small washstand, four blank walls, ghastly in the dim light from the corridor without, a narrow window, barred and sunken in the stone, a grated door! Beyond its hideous iron latticework, within the ghastly walls, -a man! An old man, gray-haired and wrinkled, lame and suffering. There he sits, in his great loneliness, shut in front all the earth. There he walks, to and fro, within his measured space, apart from all he loves! 'There, for every night in five long years to come, he will walk alone, while the white age-flakes drop upon his head, while the last years of the winter of life gather and pass, and his body draws near the ashes. Every night, for five long years to come, he will sit alone, this... (From : Anarchy Archives.)
FOREWORD IN order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but...
CHAPTER VII Nearly two years before this, in 1808, Pierre on returning to Petersburg after visiting his estates had involuntarily found himself in a leading position among the Petersburg Freemasons. He arranged dining and funeral lodge meetings, enrolled new members, and busied himself uniting various lodges and acquiring authentic charters. He gave money for the erection of temples and supplemented as far as he could the collection of alms, in regard to which the majority of members were stingy and irregular. He supported almost singlehanded a poorhouse the order had founded in Petersburg. His life meanwhile continued as before, with the same infatuations and dissipations. He liked to dine and drink well, and though he considered it immoral and humiliating could not resist the temptations of the bachelor circles in which he moved.