Introduction by the Russian Editor "ETHICS" is the swan song of the great humanitarian scientist and revolutionist-anarchist, and constitutes, as it were, the crowning work and the résumé of all the scientific, philosophical, and sociological views of Peter Alekseyevich Kropotkin, at which he arrived in the course of his long and unusually rich life. Unfortunately, death came before he could complete his work, and, according to the will and desire of Peter Alekseyevich, the responsible task of preparing "Ethics" for the press fell upon me. In issuing the first volume of "Ethics", I feel the necessity of saying a few words to acquaint the reader with the history of this work. In his "Ethics" Kropotkin wished to give answers to the two fundamental problems of morality: whence originate man's moral conceptions? and , what is the goal of the moral prescriptions and standards? It is for this reason that he subdivided his wo...
Or - Humanism And Realism
The False Principle of Our Education Or - Humanism And Realism By Max Stirner Because our time is struggling toward the word with which it may express its spirit, many names come to the fore and all make claim to being the right name. On all sides our present time reveals the most chaotic partisan tumult and the eagles of the moment gather around the decaying legacy of the past. There is everywhere a great abundance of political, social, ecclesiastical, scientific, artistic, moral and other corpses, and until they are all consumed, the air will not be clean and the breath of living beings will be oppressed. Without our assistance, time will not bring the right word to light; we must all work together on it. If, however, so much depends upon... (From : Anarchy Archives.)
CHAPTER III THE NATURE OF MATTER IN the preceding chapter we agreed, though without being able to find demonstrative reasons, that it is rational to believe that our sense-data -- for example, those which we regard as associated with my table -- are really signs of the existence of something independent of us and our perceptions. That is to say, over and above the sensations of color, hardness, noise, and so on, which make up the appearance of the table to me, I assume that there is something else, of which these things are appearances. The color ceases to exist if I shut my eyes, the sensation of hardness ceases to exist if I remove my arm from contact with the table, the sound ceases to exist if I cease to rap the table with my knuckles. But I do not believe that when all these things cease the table ceases. On the contrary, I believe that it is because the table exists continuously that all these sense-data will reappear when I open...