National questions are not in vogue now in Europe. After having so much exercised the generation of '48, they seem to be now in neglect. The poor results of a movement which caused so many illusions; the new problems that are coming to the front -- the social problem taking the precedence of all; the prominence recently given to the ideas of unification and centralization above those of territorial independence and federalism, by the sudden growth of a powerful military State in middle Europe, -- all these have helped to repel into the background those questions of national independence which seemed to constitute the very essence of the history of Europe during the first half of our century. Faith in national programs, formerly so firm, has... (From : Anarchy Archives.)
In every revolutionary history three things are to be observed: The preceding state of affairs, which the revolution aims at overthrowing, and which becomes counter-revolution through its desire to maintain its existence. The various parties which take different views of the revolution, according to their prejudices and interests, yet are compelled to embrace it and to use it for their advantage. The revolution itself, which constitutes the solution. The parliamentary, philosophical, and dramatic history of the Revolution of 1848 can already furnish material for volumes. I shall confine myself to discussing disinterestedly certain questions which may illuminate our present knowledge. What I shall say will suffice, I hope, to explain the progress of the Revolution of the Nineteenth Century, and to enable us to conjecture its future. This is not a statement of facts: it is a speculative plan, an intellectual picture of the Revolution.
The book I have had the privilege of translating is, undoubtedly, one of the most remarkable studies of the social and psychological condition of the modern world which has appeared in Europe for many years, and its influence is sure to be lasting and far reaching. Tolstoy's genius is beyond dispute. The verdict of the civilized world has pronounced him as perhaps the greatest novelist of our generation. But the philosophical and religious works of his later years have met with a somewhat indifferent reception. They have been much talked about, simply because they were his work, but, as Tolstoy himself complains, they have never been seriously discussed. I hardly think that he will have to repeat the complaint in regard to the present volume. One may disagree with his views, but no one can seriously deny the originality, boldness, and depth of the social conception which he develops with such powerful logic. The novelist has shown in this book the religious fervor a...
This article appears in Anarchy Archives with the permission of the author. RADICALIZING DEMOCRACY by Murray Bookchin (a timely interview with Murray Bookchin conducted by the editors of Kick It Over magazine) [place tree image here] includes: on the cybernetic revolution towards a new philosophical paradigm the contradictions of the German Greens building a movement for radical democracy For more copies or further information, please contact: Green Program Project P. O. Box 111, Burlington, Vermont O5401 Where Do We Come From? What Are We? Where Are We Going? K.I.O. Interviews Murray Bookchin Murray Bookchin is the author of numerous boo... (From : Anarchy Archives.)
A Critical Essay on ShakespeareBut it is not enough that Shakespeare's characters are placed in tragic positions which are impossible, do not flow from the course of events, are inappropriate to time and space—these personages, besides this, act in a way which is out of keeping with their definite character, and is quite arbitrary. It is generally asserted that in Shakespeare's dramas the characters are specially well expressed, that, notwithstanding their vividness, they are many-sided, like those of living people; that, while exhibiting the characteristics of a given individual, they at the same time wear the features of man in general; it is usual to say that the delineation of character in Shakespeare is the height of perfection. This is asserted with such confidence and repeated by all as indisputable truth; but however much I endeavored to find confirmation of this in Shakespeare's dramas, I always found the opposite. In reading any of Shakespeare's dramas whatever, I was, from the very firs...