Browsing Revolt Library By Tag : audience

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I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. (1) In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they atta... (From : http://www.bopsecrets.org/CF/goodman.htm.)


DENVER is not unlike a prison. Its inhabitants, too, have been sent there "to do time." That which makes the position of the prisoner preferable, is the consolation that the State will feed him and that some day his time will expire. The majority of Denverites have no such cheerful outlook, Although arriving there with hopes of a speedy return, it's usually imprisonment for life. We all know the paralyzing effect of the daily grind for existence, even for most of us who can boast an average physique. How much more paralyzing must it be for those who go to Denver as a last resort to rescue life from its downward path? Under such conditions and in such an atmosphere people are not interested in abstract ideas. "To hell with Bebel's sp... (From : Anarchy Archives.)

Living My Life

by Emma Goldman

Volume one

New York: Alfred A Knopf Inc., 1931.


Chapter 4

THE 11TH OF NOVEMBER WAS APPROACHING, THE ANIVERSARY of the Chicago martyrdoms. Sasha and I were busy with preparations for the great event of so much significance to us. Cooper Union had been secured for the commemoration. The meeting was to be held jointly by anarchists and socialists, with the co-operation of advanced labor organizations.

     Every evening for several weeks we visited various trade unions to invite them to participate. This involved short talks from the floor, which I made. I always went in trepidation. On previous occasions, at German and Jewish lectures, I had mustered up courage to ask questions, but every time I would experience a kind of sinking sensation. While I was listening to the speakers, the questions would for...


A Museum of the "Cultural Revolution" Ba Jin Some time ago, in one of my essays in "Record of Random Thoughts," I recorded a conversation I had had with a friend. I declared that a museum of the "Cultural Revolution" should be established. I did not have anything specific in mind, no formal project, but I was driven by a strong conviction that such a museum should be found, and it was the responsibility of every Chinese. I had just mentioned this, anticipating that others would add their support. I believe that the many who passed through the crucible of the "Cultural Revolution" could not remain silent. Each individual had a unique experience. But nobody can depict the "cowshed" prison as a paradise, nor depict inhuman massacre a... (From : CND.org.)


     SOME twenty-one years ago I heard the first great Anarchist speaker--the inimitable John Most. It seemed to me then, and for many years after, that the spoken word hurled forth among the masses with such wonderful eloquence, such enthusiasm and fire, could never be erased from the human mind and soul. How could any one of all the multitudes who flocked to Most's meetings escape his prophetic voice! Surely they had but to hear him to throw off their old beliefs, and see the truth and beauty of Anarchism!       My one great longing then was to be able to speak with the tongue of John Most,--that I, too, might thus reach the masses. Oh, for the naivety of Youth's enthusiasm! It is the... (From : Anarchy Archives.)


WORK AND THE WORKERS IN SHEFFIELD. A FIRST IMPRESSION. SHEFFIELD is one of the most beautifully situated and one of the most hideously built towns in England. Grimy rows of squalid houses, broken by dirty yards and courts and noisy factories, the whole over-hung with a perpetual cloud of brown-black smoke, raining a shower of soot; that is one's first impression of Sheffield.      On a nearer view, the life of the inmates of these houses, the workers in these factories, appears a, dark and ugly as their surroundings. In the hardware trade the struggle of the big and little industries still continues. One sees the small manufacturer, who rents a workshop or a place in a grinder's "hull," with its machine-tools a... (From : AnarchyArchives.)

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