Address to the Jury in U.S. v. Emma Goldman and Alexander Berkman, 1917, The U.S. Records of the U.S. Supreme Court, Appellate Case No. 2619 Gentlemen of the Jury: As in the case of my codefendant, Alexander Berkman, this is also the first time in my life I have ever addressed a jury. I once had occasion to speak to three judges. On the day after our arrest it was given out by the U.S. Marshal and the District Attorney's office that the "big fish" of the No Conscription activities had been caught, and that there would be no more trouble-makers and disturbers to interfere with the highly democratic effort of the Government to conscript its young manhood for the European slaughter. What a pity that the faithful servants of the Government, per... (From : WikiSource.)
The workingman, whose strength and muscles are so admired by the pale, puny off-springs of the rich, yet whose labor barely brings him enough to keep the wolf of starvation from the door, marries only to have a wife and house-keeper, who must slave from morning till night, who must make every effort to keep down expenses. Her nerves are so tired by the continual effort to make the pitiful wages of her husband support both of them that she grows irritable and no longer is successful in concealing her want of affection for her lord and master, who, alas! soon comes to the conclusion that his hopes and plans have gone astray, and so practically begins to think that marriage is a failure. THE CHAIN GROWS HEAVIER AND HEAVIER As the expenses grow... (From : Anarchy Archives.)
To most Americans Anarchy is an evil-sounding word -- another name for wickedness, perversity, and chaos. Anarchists are looked upon as a herd of uncombed, unwashed, and vile ruffians, bent on killing the rich and dividing their capital. Anarchy, however, to its followers actually signifies a social theory which regards the union of order with the absence of all government of man by man; in short, it means perfect individual liberty. If the meaning of Anarchy has so far been interpreted as a state of the greatest disorder, it is because people have been taught that their affairs are regulated, that they are ruled wisely, and that authority is a necessity. In by-gone centuries any person who asserted that mankind could get along without the ... (From : Anarchy Archives.)
"Peter Kropotkin...was recognized by friend and foe as one of the greatest minds...of the nineteenth century...The lucidity and brilliance of his mind combined with his warmheartedness into the harmonious whole of a fascinating and gracious personality. " -Emma Goldman REVOLT! Addressed to young men and women preparing to enter the professions, An Appeal to the Young was first published in 1880 in Kropotkin's paper, La Revolte, and was soon thereafter issued as a pamphlet. An American edition was brought out by Charles H. Kerr in 1899, in the wake of the great Anarchist's first U.S. speaking tour; his Memoirs of a Revolutionist was also published (by Houghton-Mifflin) that year. A new edition in Kerr's "Pocket Library of Socialism" appeared... (From : Anarchy Archives.)
Bill Haywood Remembers the 1913 Paterson Strike Source, William D. Haywood,"On the Paterson Picket Line," International Socialist Review, 13 (June 1913): 850-851. In this excerpt from an article published during the 1913 Paterson Silk Strike by "Big" Bill Haywood, he comments on the women’s role in the strike. Haywood was a founder and national leader of the Industrial Workers of the World (IWW). ...The women have been an enormous factor in the Paterson strike. Each meeting for them has been attended by bigger and bigger crowds. They are becoming deeply interested in the questions of the hour that are confronting women and are rapidly developing the sentiments that go to make up the great feminist movement of the world. With them it is... (From : Rutgers University.)
Childhood, by Leo Tolstoy
Translated by C.J. Hogarth CONTENTS I THE TUTOR, KARL IVANITCH II MAMA III PAPA IV LESSONS V THE IDIOT VI PREPARATIONS FOR THE CHASE VII THE HUNT VIII WE PLAY GAMES IX A FIRST ESSAY IN LOVE X THE SORT OF MAN MY FATHER WAS XI IN THE DRAWING-ROOM AND THE STUDY XII GRISHA XIII NATALIA SAVISHNA XIV THE PARTING XV &n... (From : Gutenberg.org.)
THE CONQUEST OF BREAD by P. Kropotkin CHAPTER V Food I IF the coming Revolution is to be a Social Revo lution it will be distinguished from all former uprisings not only by its aim, but also by its methods. To attain a new end, new means are required. The three great popular movements which we have seen in France during the last hundred years differ from each other in many ways, but they have one common feature. In each case the people strove to overturn the old regime, and spent their heart's blood for the cause. Then, after having borne the brunt of the battle, they sank again into obscurity. A Government, composed of men more or less honest, was formed and undertook to organize--the Republic in 1793, Labor in 1848, and the Free Commune in 1871. Imbued with Jacobin ideas, this Government occupied itself first of all with politic...
A Tale of 1852Vanyusha, who meanwhile had finished his housekeeping arrangements and had even been shaved by the company's barber and had pulled his trousers out of his high boots as a sign that the company was stationed in comfortable quarters, was in excellent spirits. He looked attentively but not benevolently at Eroshka, as at a wild beast he had never seen before, shook his head at the floor which the old man had dirtied and, having taken two bottles from under a bench, went to the landlady. 'Good evening, kind people,' he said, having made up his mind to be very gentle. 'My master has sent me to get some chikhir. Will you draw some for me, good folk?' The old woman gave no answer. The girl, who was arranging the kerchief on her head before a little Tartar mirror, looked round at Vanyusha in silence. 'I'll pay money for it, honored people,' said Vanyusha, jingling the coppers in his pocket. 'Be kind to us and we, too will be kind to you,' he added. 'How much...
We must get rid of the Anarchists! They are a menace to society. Does not Hearst say so? Do not the M. & M. and the gentlemen of the Chamber of Commerce, who have also declared war on Labor, assure us that the Anarchists are dangerous and that they are responsible for all our troubles? Does not every skinner of Labor and every grafting politician shout against the Anarchists? Isn't that enough to prove that the Anarchists are dangerous? But why are all the money bags and their hirelings so unanimous in condemning the Anarchists? Generally they disagree on many questions and they bitterly fight each other in their business and social life. But on TWO questions they are always in accord. Smash the Labor Unions! Hang the Anarchists! WHY? B... (From : Anarchy Archives.)
To the Editor of The Open Court: Possessed of rather more than ordinary interest in the sex question, and agreeing with Professor Cope that any proposition for the amelioration of the condition of women should be discussed and decided by women, I am moved to certain remarks suggested by his article on “The Material Relations of Sex” in the first number of The Monist. All through its perusal I was impressed by his unconscious recognition of an underlying question, which, apart from woman’s inferiority, determines the relations of the sexes. This is plainly apparent in the paragraph alluding to the communistic system of wealth production and distribution, in which he admits the possibility of promiscuous sex-relations. While... (From : TheAnarchistLibrary.org.)
Translated by Robert Helms "Des ilections" first appeared in La France (Paris), Aug.12, 1885. What's going to happen? Where will we flee? Already the election campaigns are infected by a terrible leprosy. The cabarets roar, rolling over with drunken eyes. Looming above the intersections, the red, blue, and yellow posters explode across the walls of solitary houses. The peasants hurry to gather their wheat and oats before the political whirlwind blows in, like a devastating sirocco. The bad smell of spilled wine is hanging in the air, and the deafening clamor of committees comes from everywhere, left, right, and center, calling for an encore, and marking time on the bass drum of alcoholic frenzy. People walk by, cross themselves, don't recog... (From : Mid-Atlantic Infoshop.)
A Bas-Relief
A haggard old woman, with a countenance of iron and a dull fixed stare, is striding steadily forward with Ion- steps, driving before her with her withered arm a second female figure. This second figure is of majestic stature and well nourished, with herculean muscles and massive head upon her strong neck. But, alas! she is blind. Before her she is driving a lovely maiden. The maiden has bright and sparkling eyes. She resists, turns back, raises her delicate hands. Impatience and courage are marked upon her countenance. She hates to obey, hates to go whither the other is driving her; and nevertheless she is compelled to yield, and she goes onward. Necessitas-Vis-Libertas. Let him translate who cares to do so. Translated from Ivan Tourgenieff... (From : AnarchyArchives.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. PREFACE. YET another novel from the same pen, which has twice before claimed the patience in this form. The unequivocal indulgence which has been extended to my two former attempts, renders me doubly solicitous not to forfeit the kindness I have experienced. One caution I have particularly sought to exercise: "not to repeat, myself." Caleb Williams was a story of very surprising and uncomnmon events, but which were supposed to be entirely within the laws and established course of nature, as she operates in the planet we inhabit. The story of St. Leon is of the miraculous class; and its design...
The text is from my copy of Emma Goldman's Anarchism and Other Essays. Second Revised Edition. New York & London: Mother Earth Publishing Association, 1911. pp. 151-172. FRANCISCO FERRER AND THE MODERN SCHOOL EXPERIENCE has come to be considered the best school of life. The man or woman who does not learn some vital lesson in that school is looked upon as a dunce indeed. Yet strange to say, that though organized institutions continue perpetuating errors, though they learn nothing from experience, we acquiesce, as a matter of course. There lived and worked in Barcelona a man by the name of Francisco Ferrer. A teacher of children he was, known and loved by his people. Outside of Spain only the cultured few knew of Francisco Ferrer's work.... (From : Anarchy Archives.)
A Comedy in Four ActsLEONÍD FYÓDORITCH ZVEZDÍNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish people with his wonderful stories. ANNA PÁVLOVNA ZVEZDÍNTSEVA. Wife of Leoníd. Stout; pretends to be young; quite taken up with the conventionalities of life; despises her husband, and blindly believes in her doctor. Very irritable. BETSY. Their daughter. A young woman of 20, fast, tries to be mannish, wears a pince-nez, flirts and giggles. Speaks very quickly and distinctly. VASÍLY LEONÍDITCH ZVEZDÍNTSEF. Their son, aged 25; has studied law, but has no definite occupation. Member of the Cycling Club, Jockey Club, and of the Society for Promoting the Breeding of Hounds. Enjoys perfect health, and has imperturbable self-assurance. Speaks loud...
This article appears in Anarchy Archives with the permission of the International Institute for Social History Speech by William D. Haywood at Meeting Held for the Benefit of the Buccafori Defense, at Progress Assembly Rooms, New York, March 16, 1911. Comrades and Fellow Workers: I am here to-night with a heavy heart. I can see in that Raymond Street jail our comrade and fellow-worker Buccafori in a cell, a miserable cell, perhaps 4 1/2 feet wide, 7 feet long, sleeping on an iron shelf, wrapped up in a dirty blanket, vermin-infested perhaps; surrounded by human wolves, those who are willing to tear him limb from limb, those who will not feel that their duty to the political state is entirely fulfilled until Buccafori's heart ceases to beat.... (From : Anarchy Archives.)
by Voltairine de Cleyre What have you done, O skies, That the millions should kneel to you? Why should they lift wet eyes, Grateful with human dew? Why should they clasp their hands, And bow at thy shrines, O heaven, Thanking thy high commands For the mercies that thou hast given? What have those mercies been, O thou who art called the Good? Who trod through a world of sin, And stood where the felon stood What is that wondrous peace Vouchsafed to the child of dust For whom all doubt shall cease In the light of thy perfect trust? How hast Thou heard their prayers Smoking up from the bleeding sod, Who, crushed by their weight of cares, Cried up to thee, Most High God ... ... .... ... ... ... ... ... ... Where the swamps of Humanity sicken Rea... (From : Anarchy Archives.)
On the 5th of May last the celebration of the centenary of the French Revolution began by the commemoration of the opening of the States-General at Versailles, at the same date, in the memorable year of 1789. And Paris—that city which in January last so clearly manifested its dissatisfaction with Parliamentary rule—heartily joined in the festivities organized to celebrate a day when parliamentary institutions, crossing the Channel, went to take firm root on the Continent. Must we see in the enthusiasm of the Parisians one of those seeming contradictions which are so common in the complicated life of large human agglomerations? Or was it the irresistible attraction of a spring festival which induced the Parisians to rush in flock... (From : Anarchy Archives.)
Speaking of Puritanism in relation to American art, Mr. Gutzon Borglum said: "Puritanism has made us self-centered and hypocritical for so long, that sincerity and reverence for what is natural in our impulses have been fairly bred out of us, with the result that there can be neither truth nor individualility in our art." Mr. Borglum might have added that Puritanism has made life itself impossible. More than art, more than estheticism, life represents beauty in a thousand variations; it is indeed, a gigantic panorama of eternal change. Puritanism, on the other hand, rests on a fixed and immovable conception of life; it is based on the Calvinistic idea that life is a curse, imposed upon man by the wrath of God. In order to redeem himself man... (From : Anarchy Archives.)
CHAPTER III Off to Work; The Guy They All Dread; Early Days; Ebbtide; Attempts on Dictators; Around the Left Off to Work Meanwhile I had started work, not fit for anything much, at the age of 17, for the gas company, who paid the magnificent sum of 17/6 per week (75p in today's coinage). Even so it was reckoned to be a prize at a time when office jobs started at around 12/6d per week. It's no good saying things were a lot less then; they weren't, one simply had and did less. I had a friend in the company, George Plume, who had started there a year or so before. I had known him since I was 11, he was a little older and had been a form or two higher at school, and we had been friendly until he joined the Young Communist League. Now we resumed contact, I finally wore him down on Stalinism, and he joined the ILP. We tried to organize the gas company: its fitters and engineers were unionized but not its clerical staff. Within a coup...
PÚSHKIN: Beauty of form -- Púshkin and Schiller -- His youth; his exile; his later career and death -- Fairy tales: Ruslán and Ludmíla -- His lyrics -- "Byronism" -- Drama -- Evghéniy Onyéghin -- LÉRMONTOFF:Púshkin or Lérmontoff? -- His life -- The Caucasus -- Poetry of Nature -- Influence of Shelley -- The Demon -- Mtzyri -- Love of freedom -- His death -- Púshkin and Lérmontoff as prose-writers -- Other poets and novelists of the same epoch.PÚSHKIN Púshkin is not quite a stranger to English readers. In a valuable collection of review articles dealing with Russian writers which Professor Coolidge, of Cambridge, Massachusetts, put at my disposal, I found that in 1832, and...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
No one at all capable of an intense conscious inner life need ever hope to escape mental anguish and suffering. Sorrow and often despair over the so-called eternal fitness of things are the most persistent companions of our life. But they do not come upon us from the outside, through the evil deeds of particularly evil people. They are conditioned in our very being; indeed, they are interwoven through a thousand tender and coarse threads with our existence. It is absolutely necessary that we realize this fact, because people who never get away from the notion that their misfortune is due to the wickedness of their fellows never can outgrow the petty hatred and malice which constantly blames, condemns, and hounds others for something that is... (From : Anarchy Archives.)
Translated from the French by Robert Helms "La Justice de Paix" first appeared in La France on July 24, 1885, and was later anthologized in Lettres de ma Chaumiere, dedicated to Guy de Maupassant. The Justice of the Peace occupied a ground floor hearing room in the village's town hall that looked out onto the square. The stark, tiled room was divided in the middle by a sort of railing made of wh... (From : Mid-Atlantic Infoshop.)
“Yes, jealousy, that is another of the secrets of marriage known to all and concealed by all. Besides the general cause of the mutual hatred of husbands and wives resulting from complicity in the pollution of a human being, and also from other causes, the inexhaustible source of marital wounds is jealousy. But by tacit consent it is determined to conceal them from all, and we conceal them. Knowing them, each one supposes in himself that it is an unfortunate peculiarity, and not a common destiny. So it was with me, and it had to be so. There cannot fail to be jealousy between husbands and wives who live immorally. If they cannot sacrifice their pleasures for the welfare of their child, they conclude therefrom, and truly, that they will not sacrifice their pleasures for, I will not say happiness and tranquility (since one may sin in secret), but even for the sake of conscience. Each one knows very well that neither admits any high moral reasons for not betraying the other, sin...
Living My Life by Emma Goldman Volume one New York: Alfred A Knopf Inc., 1931. Chapter 6 Most had told me that he was planning a short lecture tour through the New England States. Now he informed me that he was about to leave, and he invited me to accompany him. He said that I looked worn and thin and that a change of scene would do me good. I promised to consider his invitation. The boys urged me to go; Fedya stressed the need of getting away from household duties, while Sasha said it would help me to get acquainted with the comrades and open up a way for further activities. Two weeks later I went with Most by the Fall River Line to Boston. I had never before seen such a spacious, luxurious boat, such cozy state-rooms; mine, not far from Most's, looked bright with a bunch of lilacs he had sent. We stood on the deck as the boat st...
Chapter III DISTURBING THOUGHTS LIFE went on. Each day brought new conflicting thoughts and emotions. The feature which affected me most was the inequality I witnessed in my immediate environment. I learned that the rations issued to the tenants of the First House of the Soviet (Astoria) were much superior to those received by the workers in the factories. To be sure, they were not sufficient to sustain life--but no one in the Astoria lived from these rations alone. The members of the Communist Party, quartered in the Astoria, worked in Smolny, and the rations in Smolny were the best in Petrograd. Moreover, trade was not entirely suppressed at that time. The markets were doing a lucrative business, though no one seemed able or willing to explain to me where the purchasing capacity came from. The workers could not afford to buy butter which was then 2,000 rubles a pound, sugar at 3,000, or meat at 1,000. The inequality was most apparent in th...
TO ANALYZE the psychology of political violence is not only extremely difficult, but also very dangerous. If such acts are treated with understanding, one is immediately accused of eulogizing them. If, on the other hand, human sympathy is expressed with the Attentäter, 1 one risks being considered a possible accomplice. Yet it is only intelligence and sympathy that can bring us closer to the source of human suffering, and teach us the ultimate way out of it. The primitive man, ignorant of natural forces, dreaded their approach, hiding from the perils they threatened. As man learned to understand Nature's phenomena, he realized that though these may destroy life and cause great loss, they also bring relief. To the earnest student it mus... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
In the preceding chapters we came to the conclusion that Europe is proceeding down a steep slope towards a revolutionary outbreak. In considering the methods of production and exchange, as they have been organized by the bourgeoisie, we found a situation of irremediable decay. We see the complete absence of any kind of scientific or humanitarian basis for public actions, the unreasoning dissipation of social capital, the thirst for gain that led men to an absolute contempt for all the laws of social behavior, and industrial war without an end in sight: in all, chaos. And we hailed the approach of the day on which the call, "An end to the bourgeoisie!" would echo from all lips with the same unanimity as hitherto characterized the call for an end to the dynasties. In studying the development of the State, its historic role, and the decomposition that is attacking it today, we saw that this type of organization had accomplished in its history everything of wh...