Address to the Jury in U.S. v. Emma Goldman and Alexander Berkman, 1917, The U.S. Records of the U.S. Supreme Court, Appellate Case No. 2619 Gentlemen of the Jury: As in the case of my codefendant, Alexander Berkman, this is also the first time in my life I have ever addressed a jury. I once had occasion to speak to three judges. On the day after our arrest it was given out by the U.S. Marshal and the District Attorney's office that the "big fish" of the No Conscription activities had been caught, and that there would be no more trouble-makers and disturbers to interfere with the highly democratic effort of the Government to conscript its young manhood for the European slaughter. What a pity that the faithful servants of the Government, per... (From : WikiSource.)
The workingman, whose strength and muscles are so admired by the pale, puny off-springs of the rich, yet whose labor barely brings him enough to keep the wolf of starvation from the door, marries only to have a wife and house-keeper, who must slave from morning till night, who must make every effort to keep down expenses. Her nerves are so tired by the continual effort to make the pitiful wages of her husband support both of them that she grows irritable and no longer is successful in concealing her want of affection for her lord and master, who, alas! soon comes to the conclusion that his hopes and plans have gone astray, and so practically begins to think that marriage is a failure. THE CHAIN GROWS HEAVIER AND HEAVIER As the expenses grow... (From : Anarchy Archives.)
To most Americans Anarchy is an evil-sounding word -- another name for wickedness, perversity, and chaos. Anarchists are looked upon as a herd of uncombed, unwashed, and vile ruffians, bent on killing the rich and dividing their capital. Anarchy, however, to its followers actually signifies a social theory which regards the union of order with the absence of all government of man by man; in short, it means perfect individual liberty. If the meaning of Anarchy has so far been interpreted as a state of the greatest disorder, it is because people have been taught that their affairs are regulated, that they are ruled wisely, and that authority is a necessity. In by-gone centuries any person who asserted that mankind could get along without the ... (From : Anarchy Archives.)
"Peter Kropotkin...was recognized by friend and foe as one of the greatest minds...of the nineteenth century...The lucidity and brilliance of his mind combined with his warmheartedness into the harmonious whole of a fascinating and gracious personality. " -Emma Goldman REVOLT! Addressed to young men and women preparing to enter the professions, An Appeal to the Young was first published in 1880 in Kropotkin's paper, La Revolte, and was soon thereafter issued as a pamphlet. An American edition was brought out by Charles H. Kerr in 1899, in the wake of the great Anarchist's first U.S. speaking tour; his Memoirs of a Revolutionist was also published (by Houghton-Mifflin) that year. A new edition in Kerr's "Pocket Library of Socialism" appeared... (From : Anarchy Archives.)
Bill Haywood Remembers the 1913 Paterson Strike Source, William D. Haywood,"On the Paterson Picket Line," International Socialist Review, 13 (June 1913): 850-851. In this excerpt from an article published during the 1913 Paterson Silk Strike by "Big" Bill Haywood, he comments on the women’s role in the strike. Haywood was a founder and national leader of the Industrial Workers of the World (IWW). ...The women have been an enormous factor in the Paterson strike. Each meeting for them has been attended by bigger and bigger crowds. They are becoming deeply interested in the questions of the hour that are confronting women and are rapidly developing the sentiments that go to make up the great feminist movement of the world. With them it is... (From : Rutgers University.)
Childhood, by Leo Tolstoy
Translated by C.J. Hogarth CONTENTS I THE TUTOR, KARL IVANITCH II MAMA III PAPA IV LESSONS V THE IDIOT VI PREPARATIONS FOR THE CHASE VII THE HUNT VIII WE PLAY GAMES IX A FIRST ESSAY IN LOVE X THE SORT OF MAN MY FATHER WAS XI IN THE DRAWING-ROOM AND THE STUDY XII GRISHA XIII NATALIA SAVISHNA XIV THE PARTING XV &n... (From : Gutenberg.org.)
THE CONQUEST OF BREAD by P. Kropotkin CHAPTER 2 Well-Being for All I WELL-BEING for all is not a dream. It is possible, realizable, owing to all that our ancestors have done to increase our powers of production. We know, indeed, that the producers, although they constitute hardly one-third of the inhabitants of civilized countries, even now produce such quantities of goods that a certain degree of comfort could be brought to every hearth. We know further that if all those who squander to-day the fruits of others' toil were forced to employ their leisure in useful work, our wealth would increase in proportion to the number of producers, and more. Finally, we know that contrary to the theory enunciated by Malthus--that Oracle of middle-class Economics --the productive powers of the human race increase at a much more rapid ratio...
A Tale of 1852All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light reflected on the gilt mountings of the icons. Workmen are already getting up after the long winter night and going to their work—but for the gentlefolk it is still evening. From a window in Chevalier's Restaurant a light—illegal at that hour—is still to be seen through a chink in the shutter. At the entrance a carriage, a sledge, and a cabman's sledge, stand close together with their backs to t...
We must get rid of the Anarchists! They are a menace to society. Does not Hearst say so? Do not the M. & M. and the gentlemen of the Chamber of Commerce, who have also declared war on Labor, assure us that the Anarchists are dangerous and that they are responsible for all our troubles? Does not every skinner of Labor and every grafting politician shout against the Anarchists? Isn't that enough to prove that the Anarchists are dangerous? But why are all the money bags and their hirelings so unanimous in condemning the Anarchists? Generally they disagree on many questions and they bitterly fight each other in their business and social life. But on TWO questions they are always in accord. Smash the Labor Unions! Hang the Anarchists! WHY? B... (From : Anarchy Archives.)
To the Editor of The Open Court: Possessed of rather more than ordinary interest in the sex question, and agreeing with Professor Cope that any proposition for the amelioration of the condition of women should be discussed and decided by women, I am moved to certain remarks suggested by his article on “The Material Relations of Sex” in the first number of The Monist. All through its perusal I was impressed by his unconscious recognition of an underlying question, which, apart from woman’s inferiority, determines the relations of the sexes. This is plainly apparent in the paragraph alluding to the communistic system of wealth production and distribution, in which he admits the possibility of promiscuous sex-relations. While... (From : TheAnarchistLibrary.org.)
Translated by Robert Helms "Des ilections" first appeared in La France (Paris), Aug.12, 1885. What's going to happen? Where will we flee? Already the election campaigns are infected by a terrible leprosy. The cabarets roar, rolling over with drunken eyes. Looming above the intersections, the red, blue, and yellow posters explode across the walls of solitary houses. The peasants hurry to gather their wheat and oats before the political whirlwind blows in, like a devastating sirocco. The bad smell of spilled wine is hanging in the air, and the deafening clamor of committees comes from everywhere, left, right, and center, calling for an encore, and marking time on the bass drum of alcoholic frenzy. People walk by, cross themselves, don't recog... (From : Mid-Atlantic Infoshop.)
A Bas-Relief
A haggard old woman, with a countenance of iron and a dull fixed stare, is striding steadily forward with Ion- steps, driving before her with her withered arm a second female figure. This second figure is of majestic stature and well nourished, with herculean muscles and massive head upon her strong neck. But, alas! she is blind. Before her she is driving a lovely maiden. The maiden has bright and sparkling eyes. She resists, turns back, raises her delicate hands. Impatience and courage are marked upon her countenance. She hates to obey, hates to go whither the other is driving her; and nevertheless she is compelled to yield, and she goes onward. Necessitas-Vis-Libertas. Let him translate who cares to do so. Translated from Ivan Tourgenieff... (From : AnarchyArchives.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER IV IN this place I feel inclined to relate one of those stories of ingenious intellectual victory, as they considered them, of dull and unfeeling brutality, as they really were, in which too many of my college contemporaries prided themselves. A young man, during my residence at the university, entered himself of our college, who was judged by the gayer Oxonians singularly weir formed to be the butt of their ridicule. The dress in which he made his appearance among us was ungainly and ludicrous: the flaps of his waistcoat extended to his knees, and those of his coat almost to his heels: his black, coarse, shining hair, parted on the forehead, was every where of equal length, and entirely buried his ears beneath its impervious canopy. He had hitherto been brought up in solitude under the sole direction of his father, a c...
The text is from my copy of Emma Goldman's Anarchism and Other Essays. Second Revised Edition. New York & London: Mother Earth Publishing Association, 1911. pp. 151-172. FRANCISCO FERRER AND THE MODERN SCHOOL EXPERIENCE has come to be considered the best school of life. The man or woman who does not learn some vital lesson in that school is looked upon as a dunce indeed. Yet strange to say, that though organized institutions continue perpetuating errors, though they learn nothing from experience, we acquiesce, as a matter of course. There lived and worked in Barcelona a man by the name of Francisco Ferrer. A teacher of children he was, known and loved by his people. Outside of Spain only the cultured few knew of Francisco Ferrer's work.... (From : Anarchy Archives.)
A Comedy in Four ActsLEONÍD FYÓDORITCH ZVEZDÍNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish people with his wonderful stories. ANNA PÁVLOVNA ZVEZDÍNTSEVA. Wife of Leoníd. Stout; pretends to be young; quite taken up with the conventionalities of life; despises her husband, and blindly believes in her doctor. Very irritable. BETSY. Their daughter. A young woman of 20, fast, tries to be mannish, wears a pince-nez, flirts and giggles. Speaks very quickly and distinctly. VASÍLY LEONÍDITCH ZVEZDÍNTSEF. Their son, aged 25; has studied law, but has no definite occupation. Member of the Cycling Club, Jockey Club, and of the Society for Promoting the Breeding of Hounds. Enjoys perfect health, and has imperturbable self-assurance. Speaks loud...
This article appears in Anarchy Archives with the permission of the International Institute for Social History Speech by William D. Haywood at Meeting Held for the Benefit of the Buccafori Defense, at Progress Assembly Rooms, New York, March 16, 1911. Comrades and Fellow Workers: I am here to-night with a heavy heart. I can see in that Raymond Street jail our comrade and fellow-worker Buccafori in a cell, a miserable cell, perhaps 4 1/2 feet wide, 7 feet long, sleeping on an iron shelf, wrapped up in a dirty blanket, vermin-infested perhaps; surrounded by human wolves, those who are willing to tear him limb from limb, those who will not feel that their duty to the political state is entirely fulfilled until Buccafori's heart ceases to beat.... (From : Anarchy Archives.)
by Voltairine de Cleyre What have you done, O skies, That the millions should kneel to you? Why should they lift wet eyes, Grateful with human dew? Why should they clasp their hands, And bow at thy shrines, O heaven, Thanking thy high commands For the mercies that thou hast given? What have those mercies been, O thou who art called the Good? Who trod through a world of sin, And stood where the felon stood What is that wondrous peace Vouchsafed to the child of dust For whom all doubt shall cease In the light of thy perfect trust? How hast Thou heard their prayers Smoking up from the bleeding sod, Who, crushed by their weight of cares, Cried up to thee, Most High God ... ... .... ... ... ... ... ... ... Where the swamps of Humanity sicken Rea... (From : Anarchy Archives.)
On the 5th of May last the celebration of the centenary of the French Revolution began by the commemoration of the opening of the States-General at Versailles, at the same date, in the memorable year of 1789. And Paris—that city which in January last so clearly manifested its dissatisfaction with Parliamentary rule—heartily joined in the festivities organized to celebrate a day when parliamentary institutions, crossing the Channel, went to take firm root on the Continent. Must we see in the enthusiasm of the Parisians one of those seeming contradictions which are so common in the complicated life of large human agglomerations? Or was it the irresistible attraction of a spring festival which induced the Parisians to rush in flock... (From : Anarchy Archives.)
Speaking of Puritanism in relation to American art, Mr. Gutzon Borglum said: "Puritanism has made us self-centered and hypocritical for so long, that sincerity and reverence for what is natural in our impulses have been fairly bred out of us, with the result that there can be neither truth nor individualility in our art." Mr. Borglum might have added that Puritanism has made life itself impossible. More than art, more than estheticism, life represents beauty in a thousand variations; it is indeed, a gigantic panorama of eternal change. Puritanism, on the other hand, rests on a fixed and immovable conception of life; it is based on the Calvinistic idea that life is a curse, imposed upon man by the wrath of God. In order to redeem himself man... (From : Anarchy Archives.)
INTRODUCTION "A person is strong only when he stands upon his own truth, when he speaks and acts with his deepest convictions. Then, whatever the situation he may be in, he always knows what he must say and do. He may fall, but he cannot bring shame upon himself or his cause. If we seek the liberation of the people by means of a lie, we will surely grow confused, go astray, and loose sight of our objective, and if we have any influence at all on the people we will lead them astray as well -- in other words, we will be acting in the spirit of reaction and to its benefit." (Michael Bakunin -- Statism and Anarchy, 1873) Two tactics of Communism (Marxist and Anarchist) have existed ever since Marx and Bakunin clashed in the First International of the 1860s, over the question of the State. Both agreed that the goal of Communism should be a classless society which had no need of the state; their differences were only on how to reach it. The Bakuninists...
PÚSHKIN: Beauty of form -- Púshkin and Schiller -- His youth; his exile; his later career and death -- Fairy tales: Ruslán and Ludmíla -- His lyrics -- "Byronism" -- Drama -- Evghéniy Onyéghin -- LÉRMONTOFF:Púshkin or Lérmontoff? -- His life -- The Caucasus -- Poetry of Nature -- Influence of Shelley -- The Demon -- Mtzyri -- Love of freedom -- His death -- Púshkin and Lérmontoff as prose-writers -- Other poets and novelists of the same epoch.PÚSHKIN Púshkin is not quite a stranger to English readers. In a valuable collection of review articles dealing with Russian writers which Professor Coolidge, of Cambridge, Massachusetts, put at my disposal, I found that in 1832, and...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
No one at all capable of an intense conscious inner life need ever hope to escape mental anguish and suffering. Sorrow and often despair over the so-called eternal fitness of things are the most persistent companions of our life. But they do not come upon us from the outside, through the evil deeds of particularly evil people. They are conditioned in our very being; indeed, they are interwoven through a thousand tender and coarse threads with our existence. It is absolutely necessary that we realize this fact, because people who never get away from the notion that their misfortune is due to the wickedness of their fellows never can outgrow the petty hatred and malice which constantly blames, condemns, and hounds others for something that is... (From : Anarchy Archives.)
Translated from the French by Robert Helms "La Justice de Paix" first appeared in La France on July 24, 1885, and was later anthologized in Lettres de ma Chaumiere, dedicated to Guy de Maupassant. The Justice of the Peace occupied a ground floor hearing room in the village's town hall that looked out onto the square. The stark, tiled room was divided in the middle by a sort of railing made of wh... (From : Mid-Atlantic Infoshop.)
Scarcely had the old man gone when a general conversation began. “There’s a little Old Testament father for you,” said the clerk. “He is a Domostroy,” said the lady. “What savage ideas about a woman and marriage!” The Domostroy is a matrimonial code of the days of Ivan the Terrible. “Yes, gentlemen,” said the lawyer, “we are still a long way from the European ideas upon marriage. First, the rights of woman, then free marriage, then divorce, as a question not yet solved.” . . . “The main thing, and the thing which such people as he do not understand,” rejoined the lady, “is that only love consecrates marriage, and that the real marriage is that which is consecrated by love.” The clerk listened and smiled, with the air of one accustomed to store in his memory all intelligent conversation that he hears, in order...
Living My Life by Emma Goldman Volume one New York: Alfred A Knopf Inc., 1931. Chapter 5 I had begged Most not to give the time of my arrival to the German Union in Rochester, before which I was to speak. I wanted to see my beloved sister Helena first. I had written her about my coming, but not the purpose of my visit. She met me at the station and we clung to each other as if we had been separated for decades. I explained to Helena my mission in Rochester. She stared at me open-mouthed. How could I undertake such a thing, face an audience? I had been away only six months; what could I have learned in such a brief time? Where did I get the courage? And in Rochester, of all cities! Our parents would never get over the shock. I had never before been angry with Helena; there never had been occasion for it. In fact, it was always I who tried her patience...
Emma Goldman, My Disillusionment In Russia (London: C. W. Daniel Company, 1925) PREFACE To First Volume of American Edition THE decision to record my experiences, observations, and reactions during my stay in Russia I had made long before I thought of leaving that country. In fact, that was my main reason for departing from that tragically heroic land. The strongest of us are loathe to give up a long-cherished dream. I had come to Russia possessed by the hope that I should find a new-born country, with its people wholly consecrated to the great, though very difficult, task of revolutionary reconstruction. And I had fervently hoped that I might become an active part of the inspiring work. I found reality in Russia grotesque, totally unlike the great ideal that had borne me upon the crest of high hope to the land of promise. It required fifteen long months before I could get my bearings. Each day,...
TO ANALYZE the psychology of political violence is not only extremely difficult, but also very dangerous. If such acts are treated with understanding, one is immediately accused of eulogizing them. If, on the other hand, human sympathy is expressed with the Attentäter, 1 one risks being considered a possible accomplice. Yet it is only intelligence and sympathy that can bring us closer to the source of human suffering, and teach us the ultimate way out of it. The primitive man, ignorant of natural forces, dreaded their approach, hiding from the perils they threatened. As man learned to understand Nature's phenomena, he realized that though these may destroy life and cause great loss, they also bring relief. To the earnest student it mus... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
It is evident that we are advancing rapidly towards revolution, towards an upheaval that will begin in one country and spread, as in 1848, into all the neighboring lands, and, as it rocks existing society to its foundations, will also reopen the springs of life. To confirm our view, we do not even have to invoke the testimony of a celebrated German historian, or a well-known Italian philosopher, both of whom, having deeply studied the history of our times, have reached the conclusion that a great revolution was inevitable towards the end of this century. We need only watch the panorama that has unrolled before us over the past twenty years; we need only observe what goes on around us. When we do so, we perceive two major facts emerging from the murky depths of the canvas: the awakening of the peoples, in contrast to the moral, intellectual and economic failure of the ruling classes; and the agitated yet powerless efforts of people of wealth to hinder...