Published Essays and Pamphlets Alexander Berkman's Last Days by Emma Goldman [Published in The Vanguard (New York), Aug.-Sept. 1936.] St. Tropez July 12th, 1936 It is only two weeks since our beloved comrade Alexander Berkman passed away. Yet it seems an eternity to me. The blow his untimely death has struck me has left me completely shattered. I find it difficult to collect my thoughts. But I feel sure you will want to know all about Sasha's end. For have you not loved him all through the years? Sasha left a note which we found after we returned from his last resting place. It reads: "I don't want to live a sick man. Dependent. Forgive me Emmie darling. And you too Emma. Love to All. Help Emmie." signed, Sasha. I have two letters from comr... (From : Anarchy Archives.)
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV. (From : Gutenberg.org.)
This letter appears in Anarchy Archives with the permission of the Emma Goldman Papers Project, U.C. Berkeley. 16. letter: Goldman, Emma to Dreiser, Theodore, Jun 29, 1927 Return address: 683 Spadina Ave., Toronto, Ont. Delivery address: 200 West 57th St., New York, N.Y. Dear Theodore Dreiser:- They say that confession is good for the heart so I am going to confess to you that I was very disappointed and sad not having heard from you since we parted in Paris. I knew of course that you must be very busy, still I had hoped that you would drop me a line as to you success in approaching the publishers but you did not write so I concluded that you must have forgotten me. Imagine then the joy when I received a letter which you wrote to my friend ... (From : Anarchy Archives.)
The month of October 1917 is a great historical watershed in the Russian revolution. That watershed consists of the awakening of the toilers of town and country to their right to seize control of their own lives and their social and economic inheritance; the cultivation of the soil, the housing, the factories, the mines, transportation, and lastly the education which had hitherto been used to strip our ancestors of all these assets. However, as we see it, it would be wide of the mark if we were to see all of the content of the Russian revolution encapsulated in October: in fact, the Russian revolution was hatched over the preceding months, a period during which the peasants in the countryside and the workers in the towns grasped the essenti... (From : NestorMakhno.info.)
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgement of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his...
A exhibition of pictures is now taking place in Paris which is of interest to all those whose feeling is one with the masses of the people. Some Socialists are inclined to look for little sympathy from painters. Some even have tried to set fire to picture galleries, saying like the earlier Nihilists of Russia, that a cobbler, who makes what is useful, is greater than Raphael, who only made what is beautiful. and that when men and women are dying of slow starvation before our eyes, it is idle to think of mixing a pot of color. Is this not a mistake? Are not painters as much with us as poets, writers, and even shoemakers? To take Jean François-Millet as an example. Born a labourer, he learned to draw in Paris, and then took a cottage s... (From : AnarchyArchives.)
I. We seek understanding of facts for guidance in action, for avoidance of mistake and suffering, and even for resignation to the inevitable. This statement may cover the chief aims of mankind in intellectual discussion, ignoring now that which is merely a scholastic exercise. I am not in favor of argument in the style of the debating tarnished by a practice of which easily generates an evil habit, and there are, at least as yet, too many occasion in real life on which every person who loves to tell the truth and expose falsehood must consider time and circumstance lest he impale himself upon implacable prejudices. Consequently if duplicity have its uses there need be no fear that it will not be cultivated without concerted efforts thereto ... (From : Anarchy Archives.)
Murray Bookchin's "Recovering Evolution: A Reply to Eckersley and Fox", Environmental Ethics, vol. 12, Fall, 1990 appears in Anarchy Archives with the permission of the author. Recovering Evolution: A Reply to Eckersley and Fox by Murray Bookchin Robyn Eckersley claims erroneously that I believe humanity is currently equipped to take over the "helm" of natural evolution. In addition, she provides a misleading treatment of my discussion of the relationship of first nature (biological evolution) and second nature (social evolution). I argue that her positivistic methodology is inappropriate in dealing with my processual approach and that her Manichean contrast between biocentrism and anthropocentrism virtually excludes any human intervention ... (From : Anarchy Archives.)
FOREWORD IN order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but...
Translated front the French of JEHAN LE VAGRE. VIII.--HARMONY, SOLIDARITY. IN the preceding chapter we have seen that individuals will be able to group themselves and understand each other in the organization which will result from their daily relations without the necessity for any authority existing among them, by the mere fact that those who group themselves will have the same affinities, the same tendencies, the same end in view. It remains for us to see if the groups can continue their existence side by side without hindering, troubling, or lighting each other. We firmly believe it, and we will explain the reasons which, in our opinion, make this belief a certainty. If we study the causes of division which in the present society makes ... (From : AnarchyArchives.)