Browsing Revolt Library By Tag : figure

Revolt Library >> Browsing by Tag "figure"

Browsing : 1 to 3 of 3

Results Per Page :

1

FLEETWOOD; or, THE NEW MAN OF FEELING. ____ by WILLIAM GODWIN. CHAPTER V      IT is not my purpose to convert these honest pages into a record of dissipations; far less, of the rude and unseemly dissipations of an overgrown boy. There are few ebaracters more repulsive than that in which we find conjoined the fresh and ingenuous lineaments of a young man, in whom the down has scarcely yet shaded his prosperous cheek, with the impudence of a practiced libertine. I look back upon it with horror. Youth, if once it has broken through the restraints of decorum, is the minister of cruelty. Even in me, whose disposition was naturally kind and humane, there was too much of this. It is suffering only that can inspire us with true sympathy, that can render us alive to those trifles which constitute so large a portion of earthly misery or happiness, that can give us a feeling of th...


First published anonymously as "The Handicapped -- By One of Them" in The Atlantic Monthly, 1911; revised and collected in Youth and Life, 1913. It would not perhaps be thought, ordinarily, that the man whom physical disabilities have made so helpless that he is unable to move around among his fellows can bear his lot more happily, even though he suffer pain, and face life with a more cheerful and contented spirit, than can the man whose deformities are merely enough to mark him out from the rest of his fellows without preventing him from entering with them into most of their common affairs and experiences. But the fact is that the former's very helplessness makes him content to rest and not to strive. I know a young man so helples... (From : RaggedEdgemagazine.com.)

From: William Godwin (1784). Imogen: A Pastorial Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgement of the source from whence he drew his choicest materials.  But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in hi...

1

Home|About|Contact|Search|Privacy Policy