Foreword On May 26, 1958 at midnight, Chiu Tsai-kang, a steel worker of the Shanghai No. 3 Steel Works, was burned by molten steel. The affected area extended over 89 percent of his body, 20 percent being third degree burns with the muscles and bones involved. According to Western medical authorities, a patient with such severe burns would be likely to die. But due to the affectionate' concern of the Communist Party, to the great efforts made by the medical staff and to the widespread support of society at large, Chiu Tsai-kang is still alive. After being treated for more than five months his wounds are now completely healed and covered by grafted skin. On November 23 he was transferred to the Sino-Soviet Friendship Hospital in Peking for f... (From : Anarchy Archives.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. CHAPTER I. I WAS the only son of my father. I was very young at the period of the death of my mother, and have retained scarcely any recollection of her. My father was so much affected by the loss of the amiable and affectionate partner of his days, that he resolved to withdraw forever from those scenes, where every object he saw was ssociated with the ideas of her kindness, her accomplishments, and her virtues: and, being habitually a lover of the sublime and romantic features of nature, he fixed upon a spot in Merionethshire, near the foot of Cader Idr...
The inexorable master, Death, has again visited the Anarchist ranks. This time its victim was Ross Winn, one of the most earnest and able American Anarchists. Never has the power of the Ideal been demonstrated with greater force than in the life and work of this man, Ross Winn. For nothing short of a great Ideal, a burning, impelling, all absorbing ideal could make possible the task that our dead comrade so lovingly performed during a quarter of a century. Born in Texas forty-one years ago, of farmer parents, young Winn was expected to follow the path of his fathers. But the boy had other dreams, dreams extending far beyond his immediates. His were dreams of the world, of humanity, of the struggle for liberty. He was possessed by a passiona... (From : Kate Sharpley Library.)
To write a biographic sketch of even an ordinary man within the limited space at my disposal would be difficult. But to write about one whose personality is so complex and whose life so replete with events as that of Alexander Berkman, is almost an insurmountable task. To do justice to such a rich and colorful subject one must not be so limited by space as I am. Above all, one should be removed, in point of time and distance, from the life to be portrayed. Which is not the case in the present instance. I shall therefore not attempt a biography at the present time. I shall merely joint down a few outstanding features in the life and activities of our Comrade, which may serve as an introduction to something bigger yet to be written. Perhaps i... (From : Anarchy Archives.)
THE GERMAN DRAMA: GERHART HAUPTMANN LONELY LIVES Gerhart Hauptmann is the dramatist of whom it may be justly said that he revolutionized the spirit of dramatic art in Germany: the last Mohican of a group of four-Ibsen, Strindberg, Tolstoy, and Hauptmann-who illumined the horizon of the nineteenth century. Of these Hauptmann, undoubtedly the most human, is also the most universal. It is unnecessary to make comparisons between great artists: life is sufficiently complex to give each his place in the great scheme of things. If, then, I consider Hauptmann more human, it is because of his deep kinship with every stratum of life. While Ibsen deals exclusively with one attitude, Hauptmann embraces all, understands all, and portrays all, because nothing human is alien to him. Whether it be the struggle of the transition stage in " Lonely Lives," or the conflict between the Ideal and the Real in " The Sunken Bell," or the brutal background of poverty in...