A Tale of 1852The sun had already set and the shades of night were rapidly spreading from the edge of the wood. The Cossacks finished their task round the cordon and gathered in the hut for supper. Only the old man still stayed under the plane tree watching for the vulture and pulling the string tied to the falcon's leg, but though a vulture was really perching on the plane tree it declined to swoop down on the lure. Lukashka, singing one song after another, was leisurely placing nets among the very thickest brambles to trap pheasants. In spite of his tall stature and big hands every kind of work, both rough and delicate, prospered under Lukashka's fingers. 'Halloo, Luke!' came Nazarka's shrill, sharp voice calling him from the thicket close by. 'The Cossacks have gone in to supper.' Nazarka, with a live pheasant under his arm, forced his way through the brambles and emerged on the footpath. 'Oh!' said Lukashka, breaking off in his song, 'where did you get that cock phea...
A peasant once went to the gardener's, to steal cucumbers. He crept up to the cucumbers, and thought: "I will carry off a bag of cucumbers, which I will sell; with the money I will buy a hen. The hen will lay eggs, hatch them, and raise a lot of chicks. I will feed the chicks and sell them; then I will buy me a young sow, and she will bear a lot of pigs. I will sell the pigs, and buy me a mare; the mare will foal me some colts. I will raise the colts, and sell them. I will buy me a house, and start a garden. In the garden I will sow cucumbers, and will not let them be stolen, but will keep a sharp watch on them. I will hire watchmen, and put them in the cucumber patch, while I myself will come on them, unawares, and shout: 'Oh, there, keep a sharp lookout!'" And this he shouted as loud as he could. The watchmen heard it, and they rushed out and beat the peasant.
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
The good stallion took the sledge along at a brisk pace over the smooth-frozen road through the village, the runners squeaking slightly as they went. ‘Look at him hanging on there! Hand me the whip, Nikita!’ shouted Vasili Andreevich, evidently enjoying the sight of his ‘heir,’ who standing on the runners was hanging on at the back of the sledge. ‘I’ll give it you! Be off to mama, you dog!’ The boy jumped down. The horse increased his amble and, suddenly changing foot, broke into a fast trot. The Crosses, the village where Vasili Andreevich lived, consisted of six houses. As soon as they had passed the blacksmith’s hut, the last in the village, they realized that the wind was much stronger than they had thought. The road could hardly be seen. The tracks left by the sledge-runners were immediately covered by snow and the road was only distinguished by the fact that it was higher than the rest of the ground. The...
Emma Goldman, My Disillusionment In Russia (London: C. W. Daniel Company, 1925) PREFACE (REVISED) To Second Volume of American Edition THE annals of literature tell of books expurgated, of whole chapters eliminated or changed beyond recognition. But I believe it has rarely happened that a work should be published with more than a third of it left out and--without the reviewers being aware of the fact. This doubtful distinction has fallen to the lot of my work on Russia. The story of that painful experience might well make another chapter, but for the present it is sufficient to give the bare facts of the case. My manuscript was sent to the original purchaser in two parts, at different times. Subsequently the publishing house of Doubleday, Page Co. bought the rights to my work, but when the first printed copies reached me I discovered to my dismay that not only had my original t...