Browsing Untitled By Tag : significance

Browsing By Tag "significance"

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Conclusion of Bruce Glasier's Letter. Regarding the election or appointment of directors or administrators in 9, communal society, I need say little. That such will always be necessary where society and industry, exist, I believe. That it is advisable, even if it were possible, that the persons required to direct social and industrial concerns could always be appointed on the moment, I fail to see. Nor can I understand how it is possible that in every am such appointments would meet with the approval of everybody. The same reasoning that applies to laws and majorities applies to this matter also. I heartily agree with you, however, in thinking that foremen and overseers such as we have today will be almost, if not entirely, unnecessary. The...

THE SCANDINAVIAN DRAMA: AUGUST STRINDBERG COMRADES Although comrades was written in 1888, it is in a measure the most up-to-date play of Strindberg,-so thoroughly modern that one at all conversant with the milieu that inspired " Comrades " could easily point out the type of character portrayed in the play. It is a four-act comedy of marriage - the kind of marriage that lacks social and legal security in the form of a ceremony, but retains all the petty. conventions of the marriage institution. The results of such an anomaly are indeed ludicrous when viewed from a distance, but very tragic for those who play a part in it. Axel Alberg and his wife Bertha are Swedish artists residing in Paris. They are both painters. Of course they share the same living quarters, and although each has a separate room, the arrangement does not hinder them from trying to regulate each other's movements. Thus when Bertha does n...

A Critical Essay on ShakespeareSuch is this celebrated drama. However absurd it may appear in my rendering (which I have endeavored to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time—if he were not under the hypnotic suggestion that this drama is the height of perfection—it would be enough to read it to its end (were he to have sufficient patience for this) to be convinced that far from being the height of perfection, it is a very bad, carelessly composed production, which, if it could have been of interest to a certain public at a certain time, can not evoke among us anything but aversion and weariness. Every reader of our time, who is free from the influence of suggestion, will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless, dramatized tales, "Pericles," "Twelfth Night," "The Tempest," "Cymbeline," "Troilus and Cressida." But such free-minded i...

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