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A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which the Story begins over... (From :

Denver is not unlike a prison. Its inhabitants, too, have been sent there "to do time." That which makes the position of the prisoner preferable, is the consolation that the State will feed him and that some day his time will expire. The majority of Denverites have no such cheerful outlook, Although arriving there with hopes of a speedy return, it's usually imprisonment for life. We all know the paralyzing effect of the daily grind for existence, even for most of us who can boast an average physique. How much more paralyzing must it be for those who go to Denver as a last resort to rescue life from its downward path? Under such conditions and in such an atmosphere people are not interested in abstract ideas. "To hell with Bebel's speech," s... (From : Anarchy Archives.)

Few writers have established their reputation so rapidly as Maxím Górky. His first sketches (1892-95), were published in an obscure provincial paper of the Caucasus, and were totally unknown to the literary world, but when a short tale of his appeared in a widely-read review, edited by Korolénko, it at once attracted general attention. The beauty of its form, its artistic finish, and the new note of strength and courage which rang through it, brought the young writer immediately into prominence. It became known that Maxím Górky was the pen-name of quite a young man, A. Pyeshkoff, who was born in 1868 in Nizhni Novgorod, a large town on the Volga; that his father was a merchant, or an artisan, his mother a ... (From : University of Virginia Library.)

Night in a prison cell! A chair, a bed, a small washstand, four blank walls, ghastly in the dim light from the corridor without, a narrow window, barred and sunken in the stone, a grated door! Beyond its hideous iron latticework, within the ghastly walls, -a man! An old man, gray-haired and wrinkled, lame and suffering. There he sits, in his great loneliness, shut in front all the earth. There he walks, to and fro, within his measured space, apart from all he loves! 'There, for every night in five long years to come, he will walk alone, while the white age-flakes drop upon his head, while the last years of the winter of life gather and pass, and his body draws near the ashes. Every night, for five long years to come, he will sit alone, this... (From : Anarchy Archives.)

THE IRISH DRAMA: WILLIAM BUTLER YEATS Most Americans know about the Irish people only that they are not averse to drink, and that they make brutal policemen and corrupt politicians. But those who are familiar with the revolutionary movements of the past are aware of the fortitude and courage, aye, of the heroism of the Irish, manifested during their uprisings, and especially in the Fenian movement--the people's revolt against political despotism and land robbery. And though for years Ireland has contributed to the very worst features of American life, those interested in the fate of its people did not despair; they knew that the spirit of unrest in Ireland was not appeased, and that it would make itself felt again in no uncertain form. The cultural and rebellious awakening in that country within the last twenty-five years once more proves that neither God nor King can for long suppress the manifestation of the latent possibilities of a people. The possi...

A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...


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