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A Free Man's Worship by Bertrand Russell A brief introduction: "A Free Man's Worship" (first published as "The Free Man's Worship" in Dec. 1903) is perhaps Bertrand Russell's best known and most reprinted essay. Its mood and language have often been explained, even by Russell himself, as reflecting a particular time in his life; "it depend(s)," he wrote in 1929, "upon a metaphysic which is more platonic than that which I now believe in." Yet the essay sounds many characteristic Russellian themes and preoccupations and deserves consideration--and further serious study--as an historical landmark of early-twentieth-century European thought. For a scholarly edition with some documentation, see Volume 12 of The Collected Papers of Bertrand Russe... (From : Drew.edu.)


Mr. Mencken gives the impression of an able mind so harried and irritated by the philistinism of American life that it has not been able to attain its full power. These more carefully worked-over critical essays are, on the whole, less interesting and provocative than the irresponsible comment he gives us in his magazine. How is it that so robust a hater of uplift and puritanism becomes so fanatical a crusader himself? One is forced to call Mr. Mencken a moralist, for with him appraisement has constantly to stop while he tilts against philistine critics and outrageous puritans. In order to show how good a writer is, he must first show how deplorably fatuous, malicious or ignorant are all those who dislike him. Such a proof is undoubtedly th... (From : fair-use.org.)

This text was taken from Ideas and Realities in Russian Literature. New York: Alfred A Knopf, 1915. Chapter II Púshkin -- Lérmontoff PÚSHKIN: Beauty of form -- Púshkin and Schiller -- His youth; his exile; his later career and death -- Fairy tales: Ruslán and Ludmíla -- His lyrics -- "Byronism" -- Drama -- Evghéniy Onyéghin -- LÉRMONTOFF:Púshkin or Lérmontoff? -- His life -- The Caucasus -- Poetry of Nature -- Influence of Shelley -- The Demon -- Mtzyri -- Love of freedom -- His death -- Púshkin and Lérmontoff as prose-writers -- Other poets and novelists of the same epoch. PÚSHKIN P...


Maxím Górky BY PRINCE PETER KROPOTKIN AUTHOR OF "FIELDS, FACTORIES AND WORKSHOPS," "MUTUAL AID," ETC. Maxim Gorky Courtesy of Charles Scribner's Sons FEW writers have established their reputation so rapidly as Maxím Górky. His first sketches (1892-95), were published in an obscure provincial paper of the Caucasus, and were totally unknown to the literary world, but when a short tale of his appeared in a widely-read [illustration omitted] review, edited by Korolénko, it at once attracted general attention. The beauty of its form, its artistic finish, and the new note of strength and courage which rang through it, brought the young writer immediately into prominence. It became known that Maxím Górky was the pen-name of quite a young ma... (From : University of Virginia Library.)


THE MODERN DRAMA A POWERFUL DISSEMINATOR OF RADICAL THOUGHT SO LONG as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the ... (From : Anarchy Archives.)

Emma Goldman, The Social Significance of the Modern Drama (Boston: Richard G. Badger, 1914; The Gorham Press, Boston, U.S.A.) THE SCANDINAVIAN DRAMA IN a letter to George Brandes, shortly after the Paris Commune, Henrik Ibsen wrote concerning the State and political liberty: "The State is the curse of the individual. How has the national strength of Prussia been purchased? By the sinking of the individual in a political and geographical formula. . . . The State must go! That will be a revolution which will find me on its side. Undermine the idea of the State, set up in its place spontaneous action, and the idea that spiritual relationship is the only thing that makes for unity, and you will start the elements of a liberty which will be something worth possessing." The State was not the only bête noire of Henrik Ibsen. Every other institution which, like the State, rests upon a lie, was an in...


Transcriber's Note Obvious typographical errors have been corrected in this text. For a complete list, please see the bottom of this document. Tolstoy on Shakespeare Tolstoy on Shakespeare A critical Essay on Shakespeare By LEO TOLSTOY Translated by V. Tchertkoff and I. F. M. Followed by Shakespeare's Attitude to the Working Classes By ERNEST CROSBY And a Letter From G. BERNARD SHAW NEW YORK & LONDON FUNK & WAGNALLS COMPANY 1906 This Volume is issued by arrangement with V. Tchertkoff, sole literary representative of Leo Tolstoy outside Russia, and Editor of "The Free Age Press," Christchurch, Hants. no rights reserved Published, November, 1906 CONTENTS PART... (From : Gutenberg.org.)


The Century Magazine, July 1929, Vol. 118, No. 3, Pgs. 311-315 The Twilight Of Science Is The Universe Running Down Bertrand Russell It is a curious fact that just when the man in the street has begun to believe thoroughly in science, the man in the laboratory has begun to lose his faith. When I was young, no physicist entertained the slightest doubt that the laws of physics give us real information about the motions of bodies, and that the physical world does really consist of the sort of entities that appear in the physicist's equations. The philosophers, it is true, throw doubt upon this view, and have done so ever since the time of Berkeley; but since their criticism never attached itself to any point in the detailed procedure of scienc... (From : Anarchy Archives.)

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