No one at all capable of an intense conscious inner life need ever hope to escape mental anguish and suffering. Sorrow and often despair over the so-called eternal fitness of things are the most persistent companions of our life. But they do not come upon us from the outside, through the evil deeds of particularly evil people. They are conditioned in our very being; indeed, they are interwoven through a thousand tender and coarse threads with our existence. It is absolutely necessary that we realize this fact, because people who never get away from the notion that their misfortune is due to the wickedness of their fellows never can outgrow the petty hatred and malice which constantly blames, condemns, and hounds others for something that is... (From : Anarchy Archives.)
It is a common cant with many of those who are on the road to Socialism that in the renovated order which they contemplate, each worker shall enjoy the full fruits of his own labor. (Even our comrades of the Socialist League, while preaching on one page of the Commonweal pure Communist doctrine, have on others held out this promise to the proletariat). It is a promise that in reality is meaningless, and in the meaning commonly attached to it, delusive and impossible to be fulfilled. That the phrase should be used is intelligible enough. We charge against the prevailing social system that by it the workers are robbed of the wealth which they produce, by the exaction of rents for the opportunities of working. And it seems merely restating the... (From : AnarchyArchives.)
Night in a prison cell! A chair, a bed, a small washstand, four blank walls, ghastly in the dim light from the corridor without, a narrow window, barred and sunken in the stone, a grated door! Beyond its hideous iron latticework, within the ghastly walls, -a man! An old man, gray-haired and wrinkled, lame and suffering. There he sits, in his great loneliness, shut in front all the earth. There he walks, to and fro, within his measured space, apart from all he loves! 'There, for every night in five long years to come, he will walk alone, while the white age-flakes drop upon his head, while the last years of the winter of life gather and pass, and his body draws near the ashes. Every night, for five long years to come, he will sit alone, this... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
Translator's Preface Stirner's critics by Max Stirner Szeliga Feuerbach Hess Footnotes Translator's Preface Working on this translation has been a pleasurable challenge for me. Stirner uses straightforward, even fairly simple language, filled with passion and sarcasm, to express ideas that are difficult, though more in the fact that very few people would want to accept their implications than in their complexity. In wrestling with this work, I have had to make decisions about how best to get Stirner's thinking across in English. The purpose of this preface is to explain some of those decisions. One of the central terms in Stirner's thinking is "der Einzige." I have chosen to translate this as "the unique." Some have argued in favor of leavi... (From : Anarchy Archives.)
WILLIAM GODWIN GODWIN'S OWN ACCOUNT OF CALEB WILLIAMS As written for insertion in the edition of FLEETWOOD when that novel was reprinted in Bentley's "Standard Novels' as No. XXII London, November 20, 1832 CALEB WILLIAMS has always been regarded by the public with an unusual degree of favor. The proprietor of "THE STANDARD NOVELS" has therefore imagined, that even an account of the concoction and mode of writing the work would be viewed with some interest. I had always felt in myself some vocation towards the composition of a narrative of fictitious adventure; and among the things of obscure note, which I have above referred to, were two or three pieces of this nature. It is not therefore extraordinary that some project of the sort should have suggested itself on the present occasion [after the publication of Political Justice] I formed a conception of a book of fictitious adv...
I begin with an admission: Regardless of all political and economic theories, treating of the fundamental differences between various groups within the human race, regardless of class and race distinctions, regardless of all artificial boundary lines between woman's rights and man's rights, I hold that there is a point where these differentiations may meet and grow into one perfect whole. With this I do not mean to propose a peace treaty. The general social antagonism which has taken hold of our entire public life today, brought about through the force of opposing and contradictory interests, will crumble to pieces when the reorganization of our social life, based upon the principles of economic justice, shall have become a reality. Peace o... (From : Anarchy Archives.)