Browsing By Tag "mother"
When she went into Kitty’s little room, a pretty, pink little room, full of knick-knacks in vieux saxe, as fresh, and pink, and white, and gay as Kitty herself had been two months ago, Dolly remembered how they had decorated the room the year before together, with what love and gaiety. Her heart turned cold when she saw Kitty sitting on a low chair near the door, her eyes fixed immovably on a corner of the rug. Kitty glanced at her sister, and the cold, rather ill-tempered expression of her face did not change. "I’m just going now, and I shall have to keep in and you won’t be able to come to see me," said Dolly, sitting down beside her. "I want to talk to you." "What about?" Kitty asked swiftly, lifting her head in dismay. "What should it be, but your trouble?" "I have no trouble." "Nonsense, Kitty. Do you suppose I could help knowing? I know all about it. And believe me, it’s of so little consequ...
The Resurrection"Walk in, Your Excellency, you are expected," said the fat porter, pushing open the swinging, oaken door of the entrance. "They are dining, but I was told to admit you." The porter walked to the stairway and rang the bell. "Are there any guests?" Nekhludoff asked, while taking off his coat. "Mr. Kolosoff, also Michael Sergeievich, besides the family," answered the porter. A fine-looking lackey in dress coat and white gloves looked down from the top of the stairs. "Please to walk in, Your Excellency," he said. Nekhludoff mounted the stairs, and through the spacious and magnificent parlor he entered the dining-room. Around the table were seated the entire family, except Princess Sophia Vasilievna, who never left her own apartments. At the head of the table sat old Korchagin, on his left the physician; on his right, a visitor, Ivan Ivanovich Kolosoff, an ex-district commander, and now a bank manager, who was a friend of the...
FERENZ RENYI, Hungary, 1848 This is the story of Renyi - And when you have heard it through, Pray, God be send no trial like his To try the faith of you. And if his doom be upon you, Then may God grant you this: To fight as good a fight as he, And win a crown like his. He was strong and handsome and happy, Beloved and loving and young, 'With eyes that men set their trust in, And the fire of his soul on his tongue. He loved the spirit of Freedom, He hated his country's wrongs, He told the patriots' stories, He sang the patriot's songs. With mother and sister and sweetheart His safe glad days went by, Till Hungary called on her children To arm--to fight--and to die. "Goodbye to mother and sister, Goodbye to m... (From : AnarchyArchives.)
Why do you clothe me with scarlet of shame? Why do you point with your finger of scorn? What is the crime that you hissingly name When you sneer in my ears, "Thou bastard born?" Am I not as the rest of you, With a hope to reach, and a dream to live? With a soul to suffer, a heart to know The pangs that the thrusts of the heartless give?" I am no monster! Look at me -- Straight in my eyes, that they do not shrink! Is there aught in them you can see To merit this hemlock you make me drink? This poison that scorches my soul like fire, That burns and burns until love is dry, And I shrivel with hate, as hot as a pyre, A corpse, while its smoke curls up to the sky? Will you touch my hand? It is flesh like yours; Perhaps a little more brown and gr... (From : Anarchy Archives.)
Translated from the French by Robert Helms "Avant L'Enterrement" first appeared in the Paris newspaper Gil Blas on April 19, 1887 Mr. Poivret got down from his wagon in front of the shop owned by his son-in-law Pierre Gasselin, tied the horse to a thick iron ring and, after three times checking the tightness of the tether's knot, he entered the butcher shop cracking his horse-whip. "Anyone there?" he yelled. A dog, sleeping with its body stretched across a sunny patch of floor, got up with a low groan and then laid itself out a little farther out of the way. The store was deserted, and since it was Thursday, the meat rack was pretty close to empty. A quarter of nearly black beef lay on the block, covered with flies, and a lamb's heart, spli... (From : Mid-Atlantic Infoshop.)
Bill Haywood Remembers the 1913 Paterson Strike Source, William D. Haywood,"On the Paterson Picket Line," International Socialist Review, 13 (June 1913): 850-851. In this excerpt from an article published during the 1913 Paterson Silk Strike by "Big" Bill Haywood, he comments on the womens role in the strike. Haywood was a founder and national leader of the Industrial Workers of the World (IWW). ...The women have been an enormous factor in the Paterson strike. Each meeting for them has been attended by bigger and bigger crowds. They are becoming deeply interested in the questions of the hour that are confronting women and are rapidly developing the sentiments that go to make up the great feminist movement of the world. With them it is... (From : Rutgers University.)
Translated by C.J. Hogarth CONTENTS I THE TUTOR, KARL IVANITCH II MAMA III PAPA IV LESSONS V THE IDIOT VI PREPARATIONS FOR THE CHASE VII THE HUNT VIII WE PLAY GAMES IX A FIRST ESSAY IN LOVE X THE SORT OF MAN MY FATHER WAS XI IN THE DRAWING-ROOM AND THE STUDY XII GRISHA XIII NATALIA SAVISHNA XIV THE PARTING XV &n... (From : Gutenberg.org.)
What is most significant, it seems to me, is the earnest attention paid to the Children and Family as a subject, the desire of parents to be Informed and thereby do their best, rather than following their wit and impulse; or to say this another way, what is significant is the importance assigned in our society to Psychology itself? for Psychology is still by and large the family-psychology that Freud made it discussing the problems of jealousy, infantile dependency authority, submissiveness and rebelliousness, and sibling competition: and problems of spite, moral prejudice and other reaction-formations springing from instinctual deprivation. This interest in the Children is of course hopeful, for the increase of wisdom cannot fail to remedy... (From : http://www.tao.ca/~freedom/goodman.html.)
A Tale of 1852It was quite true that Olenin had been walking about the yard when Maryanka entered the gate, and had heard her say, 'That devil, our lodger, is walking about.' He had spent that evening with Daddy Eroshka in the porch of his new lodging. He had had a table, a samovar, wine, and a candle brought out, and over a cup of tea and a cigar he listened to the tales the old man told seated on the threshold at his feet. Though the air was still, the candle dripped and flickered: now lighting up the post of the porch, now the table and crockery, now the cropped white head of the old man. Moths circled round the flame and, shedding the dust of their wings, fluttered on the table and in the glasses, flew into the candle flame, and disappeared in the black space beyond. Olenin and Eroshka had emptied five bottles of chikhir. Eroshka filled the glasses every time, offering one to Olenin, drinking his health, and talking untiringly. He told of Cossack life in the old days: of his father, 'The Br...
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. PREFACE. YET another novel from the same pen, which has twice before claimed the patience in this form. The unequivocal indulgence which has been extended to my two former attempts, renders me doubly solicitous not to forfeit the kindness I have experienced. One caution I have particularly sought to exercise: "not to repeat, myself." Caleb Williams was a story of very surprising and uncomnmon events, but which were supposed to be entirely within the laws and established course of nature, as she operates in the planet we inhabit. The story of St. Leon is of the miraculous class; and its design...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
Life be good to you. Whether we shall ever meet again, who know? I am losing hope, together with many other things I have been losing since December. But still I cling to the straws of possibilities. If I could at least hear from yourself as to how things stand, and whether he near or even the distant future may be looked forward to with any expectation. But in any event, and whatever may be hidden in the lap of the Gods for me, should even no line ever reach you from me again, you need but re-read my notes from Ellis Island, or to recollect their contents in case the notes do not exist any more, and to feel that they express my feelings now just as they did then. That is sufficient to say, and I know you will understand, even if you can re... (From : Anarchy Archives.)
Selected Letters of Nicola Sacco from the Charlestown State Prison July 19, 1927 MY DEAR INES: I would like that you should understand what I am going to say to you, and I wish I could write you so plain, for I long so much to have you hear all the heart-beat, eagemess of your father, for I love you so much as you are the dearest little beloved one. It is quite hard indeed to make you understand in your young age, but I am going to try from the bottom of my heart to make you understand how dear you are to your father's soul. If I cannot succeed in doing that, I know that you will save this letter and read it over in future years to come and you will see and feel the same heart-beat affection as your father feels in writing it to you. I will... (From : umkc.edu.)
Living My Life by Emma Goldman Volume one New York: Alfred A Knopf Inc.,1931. Chapter 16 My first stop was Philadelphia, I had visited the city many times since my arrest in 1893, always addressing Jewish audiences. On this occasion I was invited to lecture in English before several American organizations. While in the City of Brotherly Love I stayed at the house of Miss Perle McLeod, the president of the Ladies' Liberal League. I should have preferred the warmer hospitality of my old friend Natasha Notkin, with whom I felt at home, in the congenial atmosphere of my Russian comrades, but it had been suggested that the apartment of Miss McLeod was more accessible to the Americans who would want to meet me. The meetings were not badly attended, but, still aching from the distressing scene with Ed, I did not feel fully equal to the situation, and my lectures lacked inspiration. Yet my visit...
THE popular notion about marriage and love is that they are synonymous, that they spring from the same motives, and cover the same human needs. Like most popular notions this also rests not on actual facts, but on superstition. Marriage and love have nothing in common; they are as far apart as the poles; are, in fact, antagonistic to each other. No doubt some marriages have been the result of love. Not, however, because love could assert itself only in marriage; much rather is it because few people can completely outgrow a convention. There are to-day large numbers of men and women to whom marriage is naught but a farce, but who submit to it for the sake of public opinion. At any rate, while it is true that some marriages are based on love,... (From : Anarchy Archives.)
Night in a prison cell! A chair, a bed, a small washstand, four blank walls, ghastly in the dim light from the corridor without, a narrow window, barred and sunken in the stone, a grated door! Beyond its hideous iron latticework, within the ghastly walls, -a man! An old man, gray-haired and wrinkled, lame and suffering. There he sits, in his great loneliness, shut in front all the earth. There he walks, to and fro, within his measured space, apart from all he loves! 'There, for every night in five long years to come, he will walk alone, while the white age-flakes drop upon his head, while the last years of the winter of life gather and pass, and his body draws near the ashes. Every night, for five long years to come, he will sit alone, this... (From : Anarchy Archives.)
THE ENGLISH DRAMA: HERMANN SUDERMANN MAGDA Lieutenant Colonel Schwartze, Magda's father, represents all the conventional and conservative notions of society. Schwartze. Modern ideas! Oh, pshaw! I know them. But come into the quiet homes where are bred brave soldiers and virtuous wives. There you'll hear no talk about heredity, no arguments about individuality, no scandalous gossip. There modern ideas have no foothold, for it is there that the life and strength of the Fatherland abide. Look at this home! There is no luxury,-hardly even what you call good taste,-faded rugs, birchen chairs, old pictures; and yet when you see the beams of the western sun pour through the white curtains and lie with such a loving touch on the old room, does not something say to you, " Here dwells true happiness"? The Colonel is a rigid military man. He is utterly blind to the modern conception of woman's place in life. He rules his family as the...
These sketches are written in the style of Tolstoy's "Popular Stories and Legends," and give the reader various glimpses into modern village life in Russia THE FREE AGE PRESS Publisher: C. W. DANIEL 3 Amen Corner, London, E. C. THREE DAYS IN THE VILLAGE And Other Sketches No Rights Reserved THREE DAYS IN THE VILLAGE And Other Sketches Written from September 1909 to July 1910 BY LEO TOLSTOY Translated by L. and A. Maude LONDON THE FREE AGE PRESS (C. W. DANIEL) 3 AMEN CORNER, E. C. 1910 CONTENTS PAGE THREE DAYS IN THE VILLAGE— FIRST DAY—TRAMPS 7... (From : Gutenberg.org.)
I begin with an admission: Regardless of all political and economic theories, treating of the fundamental differences between various groups within the human race, regardless of class and race distinctions, regardless of all artificial boundary lines between woman's rights and man's rights, I hold that there is a point where these differentiations may meet and grow into one perfect whole. With this I do not mean to propose a peace treaty. The general social antagonism which has taken hold of our entire public life today, brought about through the force of opposing and contradictory interests, will crumble to pieces when the reorganization of our social life, based upon the principles of economic justice, shall have become a reality. Peace o... (From : Anarchy Archives.)
No reverberatory effect of the great war has caused American public opinion more solicitude than the failure of the 'melting- pot.' The discovery of diverse nationalistic feelings among our great alien population has come to most people as an intense shock. It has brought out the unpleasant inconsistencies of our traditional beliefs We have had to watch hard- hearted old Brahmins virtuously indignant at the spectacle of the immigrant refusing to be melted, while they jeer at patriots like Mary Antin who write about 'our forefathers.' We have had to listen to publicists who express themselves as stunned by the evidence of vigorous nationalistic and cultural movements in this country among Germans, Scandinavians, Bohemians, and Poles, while i... (From : TheAtlantic.com.)
With an Introduction by James J. Martin Introduction In reissuing this famous but long-neglected work for the first time in over a century, it is not intended that it furnish a pretext to leap into the complex controversy concerning "women's rights" which has become increasingly intensified in the last fifteen years. The object is rather to bring attention to an undeservedly obscured figure in American intellectual and ideological history, first of all, and to put on the contemporary record one of the overlooked phases of the struggle to achieve equality before the law, especially, for women in the USA. It has been observed that it has become progressively more difficult to write about any phase of this subject recently, as the language of ... (From : crispinsartwell.com.)
Nevertheless, the fact that that summer I developed a passion for music caused me to become better friends with the ladies of our household than I had been for years. In the spring, a young fellow came to see us, armed with a letter of introduction, who, as soon as ever he entered the drawing-room, fixed his eyes upon the piano, and kept gradually edging his chair closer to it as he talked to Mimi and Katenka. After discoursing awhile of the weather and the amenities of country life, he skillfully directed the conversation to piano-tuners, music, and pianos generally, and ended by saying that he himself played—and in truth he did sit down and perform three waltzes, with Mimi, Lubotshka, and Katenka grouped about the instrument, and watching him as he did so. He never came to see us again, but his playing, and his attitude when at the piano, and the way in which he kept shaking his long hair, and, most of all, the manner in which he was able to execute octaves with his left h...