The ResurrectionCHAPTER II. The history of the prisoner Maslova was a very common one. Maslova was the daughter of an unmarried menial who lived with her mother, a cowherd, on the estate of two spinsters. This unmarried woman gave birth to a child every year, and, as is the custom in the villages, baptized them; then neglected the troublesome newcomers, and they finally starved to death. Thus five children died. Every one of these was baptized, then it starved and finally died. The sixth child, begotten of a passing gypsy, was a girl, who would have shared the same fate, but it happened that one of the two old maidens entered the cow-shed to reprimand the milkmaids for carelessness in skimming the cream, and there saw the mother with the healthy and beautiful child. The old maiden chided them for the cream and for permitting the woman to lie in the cow-shed, and was on the point of departing, but noticing the child, was moved to pity, and afterwards c...
FERENZ RENYI, Hungary, 1848 This is the story of Renyi - And when you have heard it through, Pray, God be send no trial like his To try the faith of you. And if his doom be upon you, Then may God grant you this: To fight as good a fight as he, And win a crown like his. He was strong and handsome and happy, Beloved and loving and young, 'With eyes that men set their trust in, And the fire of his soul on his tongue. He loved the spirit of Freedom, He hated his country's wrongs, He told the patriots' stories, He sang the patriot's songs. With mother and sister and sweetheart His safe glad days went by, Till Hungary called on her children To arm--to fight--and to die. "Goodbye to mother and sister, Goodbye to my... (From : AnarchyArchives.)
DAMON AND DELIA: A TALE. --NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STEET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humour. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. (From : Gutenberg.org.)
FOREWORD IN order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but...
I BEGIN with an admission: Regardless of all political and economic theories, treating of the fundamental differences between various groups within the human race, regardless of class and race distinctions, regardless of all artificial boundary lines between woman's rights and man's rights, I hold that there is a point where these differentiations may meet and grow into one perfect whole. With this I do not mean to propose a peace treaty. The general social antagonism which has taken hold of our entire public life today, brought about through the force of opposing and contradictory interests, will crumble to pieces when the reorganization of our social life, based upon the principles of economic justice, shall have become a reality. Peace o... (From : Anarchy Archives.)