Revolt Library >> Browsing by Tag "bitter"
Jefferson City, MO, 29 June 1919, Darling, mine. There is so much, so much I want to write you. I scarcely know where to begin & where to let off. I will have to content myselfs with the most essential & leave the other when we meet - just three months from to day. My birth-day - like last year I spent it in bed. Not quite so ill, but in pain & discomfiture. The same thing I had 2 weeks ago & which I will probably have to endure during most of the Summer. As a result of my laying off a very funny thing happened. Funny only because I have so short a time in here. Other wise it would have been the beginning of a serious & bitter struggle. I have repeatedly written you how very decent Dr Mc Nearney has always been to me. Aside of Mr P's orders... (From : University of Berkeley.)
Why do you clothe me with scarlet of shame? Why do you point with your finger of scorn? What is the crime that you hissingly name When you sneer in my ears, "Thou bastard born?" Am I not as the rest of you, With a hope to reach, and a dream to live? With a soul to suffer, a heart to know The pangs that the thrusts of the heartless give?" I am no monster! Look at me -- Straight in my eyes, that they do not shrink! Is there aught in them you can see To merit this hemlock you make me drink? This poison that scorches my soul like fire, That burns and burns until love is dry, And I shrivel with hate, as hot as a pyre, A corpse, while its smoke curls up to the sky? Will you touch my hand? It is flesh like yours; Perhaps a little more brown and gr... (From : Anarchy Archives.)
And Thou Too The Hurricane At the Grave in Waldheim Ut Sementem Feceris, Ita Metes The Dirge of the Sea I Am Loves Ghost Life or Death The Toast of Despair Mary Wollstone Craft John P. Altgeld In Memoriam The Feast of Vultures The Suicides Defense Germinal Santa Agueda The Road Builders &nbs... (From : TheAnarchistLibrary.org.)
Let me begin my address with a confession. I make it sorrowfully and with self-disgust; but in the presence of great sacrifice we learn humility, and if my comrades could give their lives for their belief, why, let me give my pride. Yet I would not give it, for personal utterance is of trifling importance, were it not that I think at this particular season it will encourage those of our sympathizers whom the recent outburst of savagery may have disheartened, and perhaps lead some who are standing where I once stood to do as I did later. This is my confession: Fifteen years ago last May when the echoes of the Haymarket bomb rolled through the little Michigan village where I then lived, I, like the rest of the credulous and brutal, read one l... (From : Anarchy Archives.)
THE popular notion about marriage and love is that they are synonymous, that they spring from the same motives, and cover the same human needs. Like most popular notions this also rests not on actual facts, but on superstition. Marriage and love have nothing in common; they are as far apart as the poles; are, in fact, antagonistic to each other. No doubt some marriages have been the result of love. Not, however, because love could assert itself only in marriage; much rather is it because few people can completely outgrow a convention. There are to-day large numbers of men and women to whom marriage is naught but a farce, but who submit to it for the sake of public opinion. At any rate, while it is true that some marriages are based on love,... (From : Anarchy Archives.)
FOREWORD IN order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but...
A Voice of Ireland
Yes-tear down our homes! leave the hearthstone cold As the hearts of you who have laid it bare; And stone from stone let the walls be rolled, And our home be one with the outer air, Heap wrong on wrong! We have had to bear More wrongs than ever our tongues can tell; One right is left us-we still forbear, 0 England, to use it-the right to rebel! We have borne so much that a little more, You think, may be borne by us unrepaid? And our backs must bow as they bowed before, While on quivering flesh are the lashes laid? 0 England, are you never afraid Of us you have tortured so long and so well? Do you never doubt which the Fates would aid- Of us or you-if we rose to rebel? Do you nev... (From : AnarchyArchives.)
On the outskirts of a great city, A street of fashionable mansions well withdrawn from all the noise and bustle; And in the street--the only figure there--in the middle of the road, in the bitter wind -- Red-nosed thin-shawled, with ankles bare and old boots-- A woman bent and haggard, croaking a dismal song. And the great windows stare upon her wretchedness, and stare across the road upon each other, With big fool eyes; But not a door is opened, not a face is seen, Nor form of life down all the dreary street, To certify the existence of humanity,-- Other than hers. Freedom: A Journal of Anarchist Socialism Vol. 1 -- No. 1, OCTOBER, 1886 Source: http://dwardmac.pitzer.edu/anarchist_archives/journals/freedom/freedom1_1.html... (From : AnarchyArchives.)
Published Essays and Pamphlets Voltairine De Cleyre by Emma Goldman [Published privately by The Oriole Press, Berkeley Heights, New Jersey, mcmxxxii] Edition limited to two-hundred copies of which fifty are printed on Nuremberg deckle-edge paper for private distribution with the compliments of the publisher WRITTEN IN RED Bear it aloft, O roaring flame! Skyward aloft, where all may see. Slaves of the world! our cause is the same; One is the immemorial shame; One is the struggle, and in One name-- MANHOOD--we battle to set men free. VOLTAIRINE DE CLEYRE THE FIRST TIME I MET HER--THIS MOST GIFTED AND BRILLIANT ANARCHIST WOMAN AMERICA EVER PRODUCED--was in Philadelphia, in August 1893. I had come to that city to address the unempl... (From : University of Berkeley.)
Voltairine De Cleyre . The Worm Turns. Philadelphia: Innes & Sons. This pamphlet appears in Anarchy Archives with the permission of IISH. The Worm Turns By V. De CLEYRE PHILADELPHIA Innes & Sons, Printers, 200 South tenth Street 1900 GERMINAL (The last word of Angiolillo.) GERMINAL!--The Field of Mars is plowing, And hard the steel that cuts, and hot the breath Of the great Oxen, straining flanks and bowing Beneath his goad, who guides the share of Death. GERMINAL!--The Dragon's teeth are sowing, And stern and white the sower flings the seed He shall not gather, though full swift the growing; Straight down Death's furrow treads, and does not heed. (From : Anarchy Archives.)